Stanford Literature Review, Volumes 1-2

appear become begin body called century character Condition context Coriolanus course criticism culture death described desire discourse discussion distinction Dostoevsky effect essay example experience expressive fact fiction figure final follow French give Hamlet human ideas ideology interest interpretation ironic irony kind knowledge language later least less linguistic literary literature living meaning mind mode monologue mother musical narrative nature never Nietzsche notes novel object once opera original passage person play political position possible present Press prison question reader reading reference relation René Girard represents revenge Russian scene scientific seems sense Shakespeare social society speak structure suggests symbolic theory things thought tion tradition transcendence turn understanding University values violence woman women writing York