Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
De dentro do livro
Resultados 1-5 de 90
Página 2
... poetic training , if not his kissing manual , is clearly Petrarch ; while the genre in which he versifies , as this ... poets imitated Petrarch's use of sonnet form and rhetorical tropes to represent struggles between heart and mind ...
... poetic training , if not his kissing manual , is clearly Petrarch ; while the genre in which he versifies , as this ... poets imitated Petrarch's use of sonnet form and rhetorical tropes to represent struggles between heart and mind ...
Página 3
... poetic representation as prologue and primary source for larger contextual judgments . Attention to the details of Romeo and Juliet's first exchange suggests several lines of inquiry applicable to the study of all lyrical drama : what ...
... poetic representation as prologue and primary source for larger contextual judgments . Attention to the details of Romeo and Juliet's first exchange suggests several lines of inquiry applicable to the study of all lyrical drama : what ...
Página 4
... poetic drama . From this analysis emerges a pattern , a correlation between the specific uses of lyric poetry in perfor ... poet . This associative pattern , moreover , has often been replicated uncritically in the critical history of ...
... poetic drama . From this analysis emerges a pattern , a correlation between the specific uses of lyric poetry in perfor ... poet . This associative pattern , moreover , has often been replicated uncritically in the critical history of ...
Página 6
... poetic authority . Passion Made Public reveals the significance of these artistic choices , focusing on the inter ... poets " ( Elizabethan 41 ) . Why did the Elizabethan period become the great age of verse drama ? Leaving aside the ...
... poetic authority . Passion Made Public reveals the significance of these artistic choices , focusing on the inter ... poets " ( Elizabethan 41 ) . Why did the Elizabethan period become the great age of verse drama ? Leaving aside the ...
Página 12
... poet's gradual loss " of his virility and poetic authority " ( 49 ) —two terms repeatedly linked in this piece . In McCoy's view , the author's decline resulted in large part from his catering to an audience , and a female one in ...
... poet's gradual loss " of his virility and poetic authority " ( 49 ) —two terms repeatedly linked in this piece . In McCoy's view , the author's decline resulted in large part from his catering to an audience , and a female one in ...
Conteúdo
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termos e frases comuns
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
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Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Visualização parcial - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Visualização parcial - 1997 |