Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
De dentro do livro
Resultados 1-5 de 80
Página 2
... play , oxymorons and endless repetition , usually focused on the versifier's unrequited love ( real or imagined ) for a disdainful or otherwise unattainable mistress " ( ed . 11 ) . Romeo's earlier appearance in act 1 made obvious that ...
... play , oxymorons and endless repetition , usually focused on the versifier's unrequited love ( real or imagined ) for a disdainful or otherwise unattainable mistress " ( ed . 11 ) . Romeo's earlier appearance in act 1 made obvious that ...
Página 3
... play it is , a play where death authenticates the game " ( 142 ) . And as with Romeo's death speech , which again invokes the tropes of Petrarchan sonneteering but in a tomb that transforms their meaning , when we look at the cultural ...
... play it is , a play where death authenticates the game " ( 142 ) . And as with Romeo's death speech , which again invokes the tropes of Petrarchan sonneteering but in a tomb that transforms their meaning , when we look at the cultural ...
Página 16
... play - its elevation or trivialization by the poet - playwright , the metaphors and adjectives associated with it - as a crucial part of the story , another matter for serious reflection . Taking seriously Stephen Greenblatt's term ...
... play - its elevation or trivialization by the poet - playwright , the metaphors and adjectives associated with it - as a crucial part of the story , another matter for serious reflection . Taking seriously Stephen Greenblatt's term ...
Página 25
... play's narrative fiction . In closely reading these works by outstanding poet - playwrights , one need not reify what Paul Alpers calls the " domain of lyric , " or other literary spaces , as truly " outside " their culture ; but ...
... play's narrative fiction . In closely reading these works by outstanding poet - playwrights , one need not reify what Paul Alpers calls the " domain of lyric , " or other literary spaces , as truly " outside " their culture ; but ...
Página 30
... play's complexity , although dis- counting the class issues of the Nine Worthies ' pageant in his effort to sustain a gen- dered opposition in which wit , homosocial bonding , and erotic desire are presented as if definitively masculine ...
... play's complexity , although dis- counting the class issues of the Nine Worthies ' pageant in his effort to sustain a gen- dered opposition in which wit , homosocial bonding , and erotic desire are presented as if definitively masculine ...
Conteúdo
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termos e frases comuns
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
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Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Visualização parcial - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Visualização parcial - 1997 |