Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
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Página 9
... king's two bodies to a queen , as Theodora Jankowski ( build- ing on the insights of Marie Axton ) has remarked , " did not resolve the sometimes rival claims of these bodies " ( 61 ) . Plenty of tensions and para- doxes remained ...
... king's two bodies to a queen , as Theodora Jankowski ( build- ing on the insights of Marie Axton ) has remarked , " did not resolve the sometimes rival claims of these bodies " ( 61 ) . Plenty of tensions and para- doxes remained ...
Página 20
... ployed a Petrarchan simile when urgently petitioning her brother the king ) .21 Most specifically , Elizabeth's monarchy suggested to women as well as men that the lyric could participate in public realms of discourse 20 Passion Made ...
... ployed a Petrarchan simile when urgently petitioning her brother the king ) .21 Most specifically , Elizabeth's monarchy suggested to women as well as men that the lyric could participate in public realms of discourse 20 Passion Made ...
Página 27
... King on the textual iconography of Elizabeth , as well as the more general discussions of Elizabeth's court by Javitch and Montrose . Elizabeth's older sister Mary Tudor did of course precede her as a female sovereign , but Mary's reign ...
... King on the textual iconography of Elizabeth , as well as the more general discussions of Elizabeth's court by Javitch and Montrose . Elizabeth's older sister Mary Tudor did of course precede her as a female sovereign , but Mary's reign ...
Página 31
... King Edward beginning with that familiar figure of speech , the Petrarchan simile : " Lyke as a shipman in stormy weather plucks down the sails for better wind , so did I , most noble King , in my unfortunate chance a ' Thursday pluck ...
... King Edward beginning with that familiar figure of speech , the Petrarchan simile : " Lyke as a shipman in stormy weather plucks down the sails for better wind , so did I , most noble King , in my unfortunate chance a ' Thursday pluck ...
Página 33
O conteúdo desta página é restrito.
O conteúdo desta página é restrito.
Conteúdo
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termos e frases comuns
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
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Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Visualização parcial - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Visualização parcial - 1997 |