Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
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Página 7
... emphasizing gender here is the important role of the queen as an audience for ( and minor author of ) lyric poetry ... emphasize her " feminine " attributes as an aspect of her control over them . This transfer of a female realm of ...
... emphasizing gender here is the important role of the queen as an audience for ( and minor author of ) lyric poetry ... emphasize her " feminine " attributes as an aspect of her control over them . This transfer of a female realm of ...
Página 13
... emphasize the aristocratic self - interest in courtly love literature , such as Frank Whigham and Leonard Tennenhouse , have brought a legitimate concern to light.12 My purpose here is to complement these concerns and the work of those ...
... emphasize the aristocratic self - interest in courtly love literature , such as Frank Whigham and Leonard Tennenhouse , have brought a legitimate concern to light.12 My purpose here is to complement these concerns and the work of those ...
Página 18
... emphasize the absence of an active female poetic presence rather than the possibili- ties for female empowerment in the address to and representation of the beloved . In Petrarch , John Freccero argues , the laurel is an emblem of a ...
... emphasize the absence of an active female poetic presence rather than the possibili- ties for female empowerment in the address to and representation of the beloved . In Petrarch , John Freccero argues , the laurel is an emblem of a ...
Página 30
... emphasizes the woman's role as empty , passive , helpless " ( 268 ) . One might balance this empha- sis with Deborah Cameron's more expansively applicable observation : " Men do not control meaning at all . Rather women elect to use ...
... emphasizes the woman's role as empty , passive , helpless " ( 268 ) . One might balance this empha- sis with Deborah Cameron's more expansively applicable observation : " Men do not control meaning at all . Rather women elect to use ...
Página 42
O conteúdo desta página é restrito.
O conteúdo desta página é restrito.
Conteúdo
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termos e frases comuns
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Passagens mais conhecidas
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Visualização parcial - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Visualização parcial - 1997 |