Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
De dentro do livro
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Página
... Elizabeth I , Queen of England , 1533-1603 - In literature . 4. Women and literature - England - History - 16th century . 5. Performing arts- England - History - 16th century . 6. Man - woman relationships in literature . 7. Gender ...
... Elizabeth I , Queen of England , 1533-1603 - In literature . 4. Women and literature - England - History - 16th century . 5. Performing arts- England - History - 16th century . 6. Man - woman relationships in literature . 7. Gender ...
Página 7
... Elizabeth Tudor the first English queen to reign successfully and indepen- dently for a substantial length of time ; she also played a direct role in the creation of a socially oriented lyric poetry . * When Elizabeth ascended to the ...
... Elizabeth Tudor the first English queen to reign successfully and indepen- dently for a substantial length of time ; she also played a direct role in the creation of a socially oriented lyric poetry . * When Elizabeth ascended to the ...
Página 8
... Elizabeth extend into a cultural recognition of value in what was perceived as " the feminine " ? More particularly , what was implied by representing her power as being distinctively female , and did this rendering modify the ...
... Elizabeth extend into a cultural recognition of value in what was perceived as " the feminine " ? More particularly , what was implied by representing her power as being distinctively female , and did this rendering modify the ...
Página 9
... Elizabeth exceptional as a woman ( includ- ing the spiritual and legal sovereign " body " which theoretically transcended femininity ) ; nevertheless the conflicts and possibilities evoked by Elizabeth's human " body natural " were not ...
... Elizabeth exceptional as a woman ( includ- ing the spiritual and legal sovereign " body " which theoretically transcended femininity ) ; nevertheless the conflicts and possibilities evoked by Elizabeth's human " body natural " were not ...
Página 10
... Elizabeth was often the subject matter of artwork by her political subjects . By attending to the verbal and conceptual complications of subjectivity , we can more adequately place the text , its author , and its audience within cul ...
... Elizabeth was often the subject matter of artwork by her political subjects . By attending to the verbal and conceptual complications of subjectivity , we can more adequately place the text , its author , and its audience within cul ...
Conteúdo
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termos e frases comuns
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
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Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
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Referências a este livro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Visualização parcial - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Visualização parcial - 1997 |