Passion Made Public: Elizabethan Lyric, Gender, and Performance
University of Illinois Press, 1995 - 279 páginas
Passion Made Public explores the remarkable vitality of lyrical poetry in Elizabethan theatrical performances, analyzing its complex social and aesthetic origins, uses, and messages. Diana Henderson explains how lyric poetry in plays by Peele, Marlowe, and Shakespeare reflected a range of attitudes toward female power and created an alternative landscape in which to reconsider political and sexual ideologies.
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
Aeneas aesthetic appears Arraignment artistic association attempt audience authority beauty becomes Berowne characters claims complex complicated context court courtly create critical cultural death desire Dido Dido's discourse discussion drama earlier echo Elizabeth Elizabethan emphasizes English erotic especially female feminine fiction figure final Gascoigne Gascoigne's gender gives ideal implies ironic king ladies language later less limits lines literary lords Love's Labour's Lost lovers lyric poetry male Marlowe Marlowe's marriage means misogyny moral Moreover move narrative nature notes obviously Paris particular passion Peele Peele's performance perspective Petrarchan play play's poem poet poetic political position praise present queen reading regards remains representation represented rhetoric role scene seems sense serve sexual Shakespeare's shift social song sonnet sovereign sovereignty speaker speech stage story style suggests tion tradition turn verse vision voice woman women writing
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Sonnet Sequences and Social Distinction in Renaissance England
Visualização parcial - 2005
Dwelling in Possibility: Women Poets and Critics on Poetry
Yopie Prins,Maeera Shreiber
Visualização parcial - 1997