CEA Critic, Volume 56Department of English, Texas A & M University, 1993 |
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... reading are more diverse than this exercise suggests . Possible models include the following : ( 1 ) men reading and interpreting female texts , ( 2 ) women reading and interpreting male texts , ( 3 ) comparing two texts with thematic ...
... reading are more diverse than this exercise suggests . Possible models include the following : ( 1 ) men reading and interpreting female texts , ( 2 ) women reading and interpreting male texts , ( 3 ) comparing two texts with thematic ...
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... reading . Terry Eagleton's reading of Clarissa , although controversial among feminists , illustrates cross - gender reading , for his perspective is feminine ( model 1 ) . Lillian Feder , who interprets Marlow's experience in Heart of ...
... reading . Terry Eagleton's reading of Clarissa , although controversial among feminists , illustrates cross - gender reading , for his perspective is feminine ( model 1 ) . Lillian Feder , who interprets Marlow's experience in Heart of ...
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... reading necessitates the critic's assuming a point of view different from his or her gender . I also noted that women have long engaged in cross - gender reading by practicing masculinist criticism . They have assumed a male perspective ...
... reading necessitates the critic's assuming a point of view different from his or her gender . I also noted that women have long engaged in cross - gender reading by practicing masculinist criticism . They have assumed a male perspective ...
Conteúdo
FALL 1993 NUMBER | 1 |
The Importance of Point of View in Fiction | 16 |
On Gender Art | 22 |
Direitos autorais | |
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