CEA Critic, Volume 56Department of English, Texas A & M University, 1993 |
De dentro do livro
Resultados 1-3 de 27
Página 37
... object of Holofernes's intended seduction , becomes the aggressive , albeit righteous , defiler who views Holofernes himself as an object of conquest . In so doing , Judith , whose " feminine ” sexual virtue on the physical level ( her ...
... object of Holofernes's intended seduction , becomes the aggressive , albeit righteous , defiler who views Holofernes himself as an object of conquest . In so doing , Judith , whose " feminine ” sexual virtue on the physical level ( her ...
Página 38
... object of Holofernes's lust during the banquet scene — is transformed into the aggressor after receiving spiritual inspiration from God , and it is Holofernes who becomes the passive object of her aggression . During the banquet ...
... object of Holofernes's lust during the banquet scene — is transformed into the aggressor after receiving spiritual inspiration from God , and it is Holofernes who becomes the passive object of her aggression . During the banquet ...
Página 104
... object of his hunger , aware that it was the same as the old man's and that nothing on earth would fill him " ( 241 ) . In this passage , he joins his uncle in accepting rather than controlling , and he envisions the object of his ...
... object of his hunger , aware that it was the same as the old man's and that nothing on earth would fill him " ( 241 ) . In this passage , he joins his uncle in accepting rather than controlling , and he envisions the object of his ...
Conteúdo
FALL 1993 NUMBER | 1 |
The Importance of Point of View in Fiction | 16 |
On Gender Art | 22 |
Direitos autorais | |
10 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
accept action American Anne appears argues Association become believe called Carver characters College complete considered continued create criticism cultural death describes English essay example experience fact feelings female feminine feminist feminist criticism fiction final follows gender Holocaust human husband imagination implied important Indian individual interest interpretation issue James John language League literary literature lives look male Mary masculine meaning Merrow mind mother narrative narrator Native nature never notes novel object offers organic poem point of view political position present printing published question readers reading reality relations relationship reveals role says seems sense sexual short social society speaks story structure style suggests teaching tell theory things traditional turn understand University values voice woman women writing written York young