CLO. But it is your carbonadoed9 face. LAF. Let us go see your son, I pray you; I long to talk with the young noble soldier. CLO. 'Faith, there's a dozen of 'em, with delicate fine hats, and most courteous feathers, which bow the head, and nod at every man 1. [Exeunt. ACT V. SCENE I. Marseilles. A Street. Enter HELENA, Widow, and DIANA, with two Attendants. HEL. But this exceeding posting, day and night, Must wear your spirits low: we cannot help it; But, since you have made the days and nights as one, To wear your gentle limbs in my affairs, In happy time ; Enter a gentle Astringer2. This man may help me to his majesty's ear. Lafeu, who is at present anxious to marry his own daughter to Bertram. STEEVENS. 9 - carbonadoed-] i. e. scotched like a piece of meat for the gridiron. So, in Coriolanus: "Before Corioli, he scotched and notched him like a carbonado." STEevens. The word is again used in King Lear. Kent says to the Steward I "I'll carbonado your shanks for you." MALONE. feathers, which-nód at every man.] So, in Antony and Cleopatra: 66 a blue promontory, "With trees upon't, that nod unto the world—.” STEEVENS. 2 Enter a gentle ASTRINGER.] Perhaps a gentle stranger, i. e. If he would spend his power.-God save you, sir. HEL. Sir, I have seen you in the court of France. HEL. I do presume sir, that you are not fallen GENT. What's your will? HEL. That it will please you To give this poor petition to the king; And aid me with that store of power you have, To come into his presence. GENT. The king's not here. HEL. GENT. Not here, sir? Not, indeed: He hence remov'd last night, and with more haste Than is his use. a stranger of gentle condition, a gentleman.-The error of this conjecture, (which I have learned, since our first edition made its appearance, from an old book of Falconry, 1633,) should teach diffidence to those who conceive the words which they do not understand to be corruptions. An ostringer or astringer is a falconer, and such a character was probably to be met with about a court which was famous for the love of that diversion. So, in Hamlet: "We'll e'en to it like French Falconers." A " gentle astringer" is a "gentleman falconer." The word is derived from ostercus or austercus, a goshawk; and thus, says Cowell, in his Law Dictionary: "We usually call a falconer, who keeps that kind of hawk, an austringer." Again, in The Book of Hawking, &c. bl. 1. no date: "Now bicause I spoke of ostregiers, ye shall understand that they ben called ostregiers that keep gosshauks or tercels," &c. I learn from Blount's Antient Tenures, that a gosshawk is in our records termed by the several names Ostercum, Hostricum, Estricum, Asturcum, and Austurcum,” and all from the French Austour. STEEVENS. WID. Lord, how we lose our pains! HEL. All's well that ends well; yet; Though time seem so advérse, and means unfit.I do beseech you, whither is he gone? GENT. Marry, as I take it, to Rousillon; Whither I am going. I do beseech you, sir, HEL. GENT. 3 This I'll do for you. HEL. And you shall find yourself to be well thank'd, Whate'er falls more.-We must to horse again ; Go, go, provide. [Exeunt. SCENE II. Rousillon. The inner Court of the Countess's Palace. Enter Clown and PAROLles. PAR. Good monsieur Lavatch, give my lord Lafeu this letter: I have ere now, sir, been better known to you, when I have held familiarity with fresher clothes; but I am now, sir, muddied in for 3 Our means will make us means.] Shakspeare delights much in this kind of reduplication, sometimes so as to obscure his meaning. Helena says, "they will follow with such speed as the means which they have will give them ability to exert. JOHNSON. 4-Lavatch,] This is an undoubted, and perhaps irremediable corruption of some French word. STEEVENS. Evidently la vache. TALBOT. tune's mood, and smell somewhat strong of her strong displeasure 5. 5 but I am now, sir, muddied in fortune's mood, &c.] By the whimsical caprice of Fortune, I am fallen into the mud, and smell somewhat strong of her displeasure. In Pericles, Prince of Tyre, 1609, we meet with the same phrase: 66 but Fortune's mood “Varies again." Again, in Timon of Athens: "When fortune, in her shift and change of mood, 66 Again, in Julius Cæsar: "Fortune is merry, "And in this mood will give us any thing." Mood is again used for resentment or caprice in Othello: “You are but now cast in his mood, a puuishment more in policy than in malice." Again, for anger, in the old Taming of a Shrew, 1607: 66 This brain-sick man, "That in his mood cares not to murder me." Dr. Warburton, in his edition, changed mood into moat, and his emendation was adopted, I think, without necessity, by the subsequent editors. All the expressions enumerated by him,- "I will eat no fish,"-" he hath fallen into the unclean fish-pond of her displeasure," &c.-agree sufficiently well with the text, without any change. Parolles having talked metaphorically of being muddy'd by the displeasure of fortune, the Clown, to render him ridiculous, supposes him to have actually fallen into a fish-pond. MALONE. In former editions—“ but I am now, sir, muddied in fortune's mood, and smell somewhat strong of her strong displeasure." I believe the poet wrote-" in fortune's moat; because the Clown, in the very next speech, replies-" I will henceforth eat no fish of fortune's buttering;" and again, when he comes to repeat Parolles's petition to Lafeu, "That hath fallen into the unclean fishpond of her displeasure, and, as he says, is muddied withal." And again-" Pray you, sir, use the carp as you may," &c. In all which places, it is obvious a moat or a pond is the allusion. Besides, Parolles smelling strong, as he says, of fortune's strong displeasure, carries on the same image; for as the moats round old seats were always replenished with fish, so the Clown's joke of holding his nose, we may presume, proceeded from this, that the privy was always over the moat; and therefore the Clown humorously says, when Parolles is pressing him to de CLO. Truly, fortune's displeasure is but sluttish, if it smell so strong as thou speakest of: I will henceforth eat no fish of fortune's buttering. Pr'ythee, allow the wind". PAR. Nay, you need not stop your nose, sir; I spake but by a metaphor. CLO. Indeed, sir, if your metaphor stink, I will stop my nose; or against any man's metaphor". Pr'ythee, get thee further. liver his letter to Lord Lafeu, "Foh! pr'ythee stand away; a paper from fortune's close-stool, to give to a nobleman!" WARBURTON. Dr. Warburton's correction may be supported by a passage in The Alchemist : "Subtle. Come along, sir, "I must shew you Fortune's privy lodgings. "Face. Are they perfum'd, and his bath ready? "Only the fumigation somewhat strong." FARMer. Though Mr. Malone defends the old reading, I have retained Dr. Warburton's emendation, which, in my opinion, is one of the luckiest ever produced. STEEVENS. Yet Mr. Steevens in a note on the passage which I have quoted from Pericles, Act III. Chorus ; 66 Fortune's mood Produces the reading of the original text which I have here presented as an illustration. MALONE. allow the wind.] i. e. stand to the leeward of me. STEEVENS. 7 Indeed, sir, if your metaphor stink, I will stop my nose; or against any man's metaphor.] Nothing could be conceived with greater humour or justness of satire, than this speech. The use of the stinking metaphor is an odious fault, which grave writers often commit. It is not uncommon to see moral declaimers against vice describe her as Hesiod did the fury Tristitia: Τῆς ἐκ ρίνων μύξαι ρέον. Upon which Longinus justly observes, that, instead of giving a terrible image, he has given a very nasty one. Cicero cautions well against it, in his book de Orat. "Quoniam hæc, (says he,) vel summa laus est in verbis transferendis ut sensum feriat id, quod translatum sit, fugienda est omnis turpitudo earum rerum, ad |