LAF. Pray you, sir, who's his tailor ? LAF. O, I know him well : Ay, sir; he, sir, is a good workman, a very good tailor. Ber. Is she gone to the king ? [Aside to PAROLLES. sure, LAF. A good traveller is something at the latter end of a dinner ; but one that lies three-thirds”, and uses a known truth to pass a thousand nothings with, should be once heard, and thrice beaten.God save you, captain. Ber. Is there any unkindness between my lord and you, monsieur ? Par. I know not how I have deserved to run into my lord's displeasure. LAF. You have made shift to run into't, boots and spurs and all, like him that leaped into the custard ® ; and out of it you'll run again, rather than suffer question for your residence. 7 A good traveller is something at the latter end of a dinner ; but one that lies three thirds, &c.] So, in Marlowe's King Edward II. 1598 : " Gav. What art thou ? “ Gav. Let me see; thou would'st well MALONE. 8 You have made shift to run into't, boots and SPURS and all, like him that LEAPED into the CUSTARD ;] This odd allusion is not introduced without a view to satire. It was a foolery practised at city entertainments, whilst the jester or zany was in vogue, BER. It may be, you have mistaken him, my lord. LAF. And shall do so ever, though I took him at his prayers. Fare you well, my lord; and believe this of me, There can be no kernel in this light nut; the soul of this man is his clothes : trust him not in matter of heavy consequence; I have kept of them tame, and know their natures.-Farewell, monsieur : I have spoken better of you, than you have or will to deserve o at my hand; but we must do good against evil. [Exit. Par. An idle lord, I swear. Ber. I think so. PAR. Why, do you not know him ? Ber. Yes, I do know him well; and common speech Gives him a worthy pass. Here comes my clog. Enter HelENA. Hel. I have, sir, as I was commanded from you, Spoke with the king, and have procur'd his leave for him to jump into a large deep custard, set for the purpose, “to set on a quantity of barren spectators to laugh,” as our poet says in his Hamlet. I do not advance this without some authority; and a quotation from Ben Jonson will very well explain it : “ He may perchance, in tail of a sheriff's dinner, Skip with a rhime o' the table, from New-nothing, Devil's An Ass, Act I. Sc. I. THEOBALD. – than you have or will deserve -] The oldest copy erroneously reads—“have or will to deserve." STEEVENS. Something seems to have been omitted ; but I know not how to rectify the passage. Perhaps we should read—“than you have qualities or will to deserve.”' The editor of the second folio reads " than you have or will deserve-.” Malone. Than you have [deserved] or are willing to deserve in future.” Boswell. 9 For present parting ; only, he desires I shall obey his will. you, That presently you take your way for home; And rather muse, than ask, why I entreat you': For my respects are better than they seem ; And my appointments have in them a need, Greater than shows itself, at the first view, To you that know them not. This to my mother: [Giving a letter. 'Twill be two days ere I shall see you ; so I leave you to your wisdom. HEL. Sir, I can nothing say, But that I am your most obedient servant. BER. Come, come, no more of that. And ever shall Let that go : Hel. Pray, sir, your pardon. Well, what would you say ? Hel. I am not worthy of the wealth I owe ? ; Nor dare I say, 'tis mine; and yet it is ; 1 And rather muse, &c.] To muse is to wonder. So, in Mac. beth : “ Do not muse at me, my most worthy friends." STEEVENS. the wealth I owe;] i. e. I own, possess. STEEVENS. But, like a timorous thief, most fain would steal What would you have ? HEL. Something; and scarce so much:-nothing, indeed. I would not tell you what I would : my lord—'faith, yes ; Strangers, and foes, do sunder, and not kiss. BER. I pray you, stay not, but in haste to horse. Hel. I shall not break your bidding, good my lord. BER. Where are my other men, monsieur ? Farewell ?. [Exit HELENA. Go thou toward home; where I will never come, Whilst I can shake my sword, or hear the drum : Away, and for our flight. PAR. Bravely, coragio! [Exeunt. ACT III. SCENE I. Florence. A Room in the Duke's Palace. Flourish. Enter the Duke of Florence, attended; two French Lords, and others. DUKE. So that, from point to point, now have you heard 3 Where are my other men, MONSIEUR ?-FAREWELL.] In former copies : Hel. Where are my other men ? Monsieur, farewell.” What other men is Helen here enquiring after ? Or who is she supposed to ask for them ? The old Countess, 'tis certain, did not send her to the court without some attendants ; but neither the Clown, nor any of her retinue, are now upon the stage: Bertram, observing Helen to linger fondly, and wanting to shift her off, puts on a show of haste, asks Parolles for his servants, and then gives his wife an abrupt dismission. THEOBALD. The fundamental reasons of this war; Holy seems the quarrel France Good my lord, Be it his pleasure. 2 LORD. But I am sure, the younger of our nature, That surfeit on their ease, will, day by day, Come here for physick. 4 5 I cannot yield,] I cannot inform you of the reasons. Johnson. Thus, in Antony and Cleopatra : “ If you say so, villain, thou kill'st thy mistress : WARBURTON. So, inward is familiar, admitted to secrets. “ I was an inward of his." Measure for Measure. Johnson. 6 By self-unable motion:) We should read notion. WARBURTON. This emendation has also been recommended by Mr. Upton. STEEVENS. the younger of our NATURE,] i. e. as we say at present, our young fellows. The modern editors read-nation. I have restored the old reading. Steevens. 7 |