Milton had an open, pure, and beautiful face. His complexion was exceedingly fair, and even in old age his cheeks retained a ruddy tinge. His hair was light brown, parted in front, and hung down over his shoulders. His eyes were a dark gray, and even when he was totally deprived of sight they retained their luster. A clergyman, who was a contemporary, has left a record of how he "found John Milton in a small chamber, hung with rusty green, sitting in an elbowchair, and dressed neatly in black; pale, but not cadaverous. He used, also, to sit in a gray, coarse cloth coat at the door of his house in Bunhill Fields, in warm, sunny weather, to enjoy the fresh air, and so, as well as in his room, received the visits of people of distinguished parts, as well as quality." On the whole, a pleasant picture. In his manner of living he was exceedingly temperate. In summer he rose at four, in winter at five, in the morning. A chapter of the Hebrew Bible was read to him, after which he studied, with the intervention of breakfast, till noon. He then took gardenexercise for an hour, dined, played on the organ, either sang himself, or made some friend sing, and continued. his studies till six in the evening. From six to eight he entertained visitors. After a light supper, followed by a pipe of tobacco and a glass of water, he retired to rest. By nature he was serenely serious; an heroic trust in Heaven made him superior to the accidents of life: and so, when we think of his old age, wrapped in darkness, and assailed with evil tongues, the vision that rises before us is not that of a soured and disappointed politician, but of a seraphic bard who finds a holy joy in the perennial inspirations of his own genius. Let us close this sketch with the noble lines in which Wordsworth pays tribute to this lofty soul:- Thy soul was like a star, and dwelt apart: Pure as the naked heavens, majestic, free. So didst thou travel on life's common way, 1.-L'ALLEGRO. [L'Allegro (pron. lal-la'gro: Ital.) signifies literally the cheerful or merry man; and the poem celebrates the charms of a social, amiable, light-hearted view of life. The advocate of this mood calls on "hearteasing Mirth (mirth to be understood as a placid, philosophical sentiment) to come to him with a retinue of kindred spirits. He would fain hear the lark singing, and enjoy all other cheery sights and sounds of the bright morning time; he would be present at the merry-makings of the village, and listen to the marvelous tales there told; he rejoices in the life of the town, in all its gay gatherings; he goes to see great comedies acted; above all things, he would be surrounded by the sweet singing of exquisite verses."] HENCE, loathéd Melancholy,1 3 Of Cerberus and blackest Midnight born, 1 Melancholy. What is the fig-|nal regions; usually represented as ure of speech? (See Def. 4.) 2 Cerberus, the monster that guarded the entrance to the infer a dog with three heads, but sometimes with a hundred. 8 Midnight. Figure? In Stygian1 cave forlorn, 'Mongst horrid shapes, and shrieks, and sights2 unholy! Find out some uncouth cell, Where brooding Darkness spreads his jealous wings, There, under ebon shades and low-browed rocks, In dark Cimmerian 6. desert ever dwell. Haste thee,10 nymph, and bring with thee Quips, and cranks," and wanton 12 wiles, 1 Stygian, from Styx (meaning | "the Hateful"), a river of Hades over which Charon ferried the ghosts of the dead. ycleped, named. 8 Euphrosyne ... two sister Graces more. Euphrosyne (the 2 shapes, shrieks, sights. Note who attended on Venus, the god the alliteration. 8 uncouth, wild, strange. 'ebon. Meaning? dess of love. The "two sister Graces more" were Aglaia (Brightness) and Thalia (Bloom). 9 Bacchus, the god of wine. 10 Haste thee, etc. Point out all the examples of personification in these lines. 11 Quips and cranks. A "quip" is a smart, satirical saying; a "crank," a lively, humorous, and puzzling turn of speech. 12 wanton, free and easy. Nods, and becks, and wreathéd smiles On the light fantastic toe; 2 And in thy right hand lead with thee 4 Mirth, admit me of thy crew 6 While the cock, with lively din,1 Oft listening how the hounds and horn 3 From the side of some hoar hill,4 Through the high wood echoing shrill; By hedge-row elms, on hillocks green, Straight mine eye hath caught new pleasures 1 lively din. Explain. 9 dight (Anglo-Saxon dihtan, to 2 Scatters... thin. Express in arrange, to deck), arrayed. plain terms. 3 cheerly cheerily. 10 tells his tale. The tale is here not a tale of love, but the tale (tally, hoar hill, a hill covered with number) of sheep counted by the hoar-frost, rime-white. 5 against, towards. 6 the eastern gate. Explain. state, stately progress. 8 liveries, colors. shepherd. So the "tale" of bricks in Exod. v. 8. 11 Straight=straightway, immediately. 12 landscape. See Glossary. |