The Complete Stories of Paul Laurence Dunbar

Capa
Ohio University Press, 2005 - 542 páginas
The son of former slaves, Paul Laurence Dunbar was one of the most prominent and publicly recognized figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, not to mention numerous songs, plays, and essays in newspapers and magazines around the world.

In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures from the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar's literary achievement. Through examining the 104 stories written by Dunbar between 1890 and 1905, readers will be able to better understand Dunbar's specific attempts to maintain his artistic integrity while struggling with America's racist stereotypes. His work interrogated the color-line that informed American life and dictated his role as an artist in American letters. Editors Gene Jarrett and Thomas Morgan identify major themes and implications in Dunbar's work. Available in one convenient, comprehensive, and definitive volume for the first time, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy. ABOUT THE EDITORS---Gene Jarrett is an assistant professor of English at the University of Maryland, College Park. He is co-editor (with Henry Louis Gates Jr.) of a forthcoming anthology, New Negro Criticism: Essays on Race, Representation, and African American Culture.Thomas Morgan is a lecturer at the University of Tennessee, Knoxville. His research and teaching interests focus on critical race theory in late-nineteenth century American and African American literature, specifically as it applies to the politics of narrative form.
 

Conteúdo

Uncollected Stories
399
Sources
527

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Sobre o autor (2005)

Paul Laurence Dunbar was born in June 27, 1872 in Dayton, Ohio. He was the son of ex-slaves and attended school at Dayton Central High School, the only African-American in his class. Dunbar was a member of the debating society, editor of the school paper and president of the school's literary society. He also wrote for Dayton community newspapers. He worked as an elevator operator in Dayton's Callahan Building until he established himself locally and nationally as a writer. He published an African-American newsletter in Dayton, the Dayton Tattler, with help from the Wright brothers. Dunbar was the first African-American to gain national eminence as a poet. Oak and Ivy, his first collection, was published in 1892. As his book gained fame, Dunbar was invited to recite at the World's Fair, in 1893 where he met Frederick Douglass. Dunbar's second book, Majors and Minors, propelled him to national fame. A New York publishing firm, Dodd Mead and Co., combined Dunbar's first two books and published them as Lyrics of a Lowly Life. Dunbar then took a job at the Library of Congress in Washington, D.C. He found the work tiresome, however, and the library's dust contributed to his worsening case of tuberculosis. He worked there for only a year before quitting to write and recite full time. Depression and declining health drove him to drink, which further damaged his health. He continued to write, however. He ultimately produced 12 books of poetry, four books of short stories, a play and five novels. His work appeared in Harper's Weekly, the Sunday Evening Post, the Denver Post, Current Literature and a number of other magazines and journals. He died there on Feb. 9, 1906 at the age of 33. Thomas Lewis Morgan is an assistant professor of English at the University of Dayton. His research and teaching interests focus on critical race theory in late-nineteenth-century American and African American literature, specifically as it applies to the politics of narrative form.

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