Family Authorship and Romantic Print CulturePalgrave Macmillan, 17 de jan. de 2008 - 220 páginas Family Authorship and Romantic Print Culture explores the conjunction of authorship and family life as a distinctive cultural formation of Romantic-era Britain. Through examination of the practices and texts of literary families, the book traces an alternative history of Romantic authorship, one that lies on the cusp between a vanishing manuscript culture and the dominance of print; that reflects a struggle in Romantic self-identity between communities of feeling and individual genius; and that grapples with an evolving tension between the private and public spheres. |
Conteúdo
Coleridge Manuscript Culture and the Family Romance | 53 |
Working Families and the Childrens Book Trade | 97 |
The Shelleys the Wordsworths and the Family Tour | 133 |
Direitos autorais | |
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Aikin and Barbauld Ann Taylor Anna Barbauld argued Barbauld and Aikin biography brother chapter Charles Charles Lamb child Coleridge's collaborative contributions daughter Department of Special discourse domestic Dorothy Dorothy Wordsworth Dove Cottage early economic Edgeworth edition editors eighteenth century engraving example family authors family authorship father female friends gender genius gift economy Godwin History human husband ideal Isaac Jane John Aikin Juvenile Library labor Lamb Lessons letters literature Lloyd manuscript culture Mary Shelley Mary's middle-class Mont Blanc mother narrative nation offer Percy Percy Bysshe Shelley Percy's poet poetic poetry political PPALB preface print culture prose published PWPS readers relationship Review Romantic period Sara Coleridge Sarah Trimmer scholars separate spheres Shelley's sister social sonnets Southey Special Collections story suggests tion Tour UCLA verse volume wife William women Wordsworth Wordsworth Trust writing written wrote Young Research Library