Elements of Elocution, 1781, Teil 2Scolar P., 1969 |
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Seite 123
... almost infinite , all thefe varieties are ftill reducible to two ra- dical and effential differences , the upward and downward flide or inflexion ; and therefore , though the high and low , the the loud and foft , the quick and flow ...
... almost infinite , all thefe varieties are ftill reducible to two ra- dical and effential differences , the upward and downward flide or inflexion ; and therefore , though the high and low , the the loud and foft , the quick and flow ...
Seite 198
... Almost every verse admits of a pause in or near the middle of the line , which is called the cæfura ; this must be carefully obferved in reading verfe , or much of the diftinctnefs , and almost all the harmony will be loft . EXAMPLE ...
... Almost every verse admits of a pause in or near the middle of the line , which is called the cæfura ; this must be carefully obferved in reading verfe , or much of the diftinctnefs , and almost all the harmony will be loft . EXAMPLE ...
Seite 208
... almost , if not utterly imperceptible , and the compofition , for a few lines , fall into an harmonious kinds of profe . For it is evident , that it is not a fmall pause at the end of a line in verfe , which makes it appear poetry to ...
... almost , if not utterly imperceptible , and the compofition , for a few lines , fall into an harmonious kinds of profe . For it is evident , that it is not a fmall pause at the end of a line in verfe , which makes it appear poetry to ...
Inhalt
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Urheberrecht | |
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accented fyllable adopt affume againſt almoſt antithefis arife becauſe Cæfar cafe compofition confiderable conftitution couplet diftinct diſtance emphaſis emphatic words example exercife expreffed expreffion eyes faid Fair Penitent falling inflexion fame fameneſs feems fenfe fenſe fentence fhall fimilar firſt flexion foft fome fomething fometimes force foul fpeaker fpeaking fpeech ftill ftrefs ftrengthen ftrong fubject fuch fufficiently fuppofe give greateſt harmony heav'n himſelf infle inftance itſelf juſt laft laſt lefs Loft meaſure moft monotone moſt mufic muft muſt nature neceffarily neceffary neceffity neceſſary obferved ourſelves paffage paffion paufe pauſe perfon phatic pitch pleaſure poetry preferved profaic profe pronounced pronunciation purpoſe raiſed reader reading reaſon rifing inflexion riſing rule ſay ſeems ſenſe Shakspeare's ſhall find ſhould ſmall ſpeak ſtill ſtreſs tence thee thefe theſe theſe words thofe thoſe thou tion tone of voice underſtanding uſe utmoſt variety verfe verſe xion