Dickens to Hardy 1837-1884: The Novel, the Past and Cultural Memory in the Nineteenth CenturyThis authoritative survey examines how the Victorian middle-classes perceived themselves, through analyses of the literature of the period. Asking how the middle classes distinguished themselves from their forbears, Julian Wolfreys reads in detail major novels by: - Charles Dickens - Elizabeth Gaskell - Wilkie Collins - George Eliot - Thomas Hardy. Wolfreys explores the novelists' constructions of modernity, national identity and their understanding of 'becoming historical' in distinction from that of previous generations. He offers illuminating close readings of texts and examines narratives set in a recent past in order to investigate the role of cultural memory in the making of identity. Also featuring a helpful Chronology and an Annotated Bibliography to aid further study, this stimulating guide encourages readers to reassess the work of key writers of the nineteenth century. |
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Página 27
Let us look closely at the structure of the scene , its order and its content . ...
Through the refraction of the relay that structures focalization , the reader is
illuminated about the comic nature of the collective gaze through editorial
reflection , in ...
Let us look closely at the structure of the scene , its order and its content . ...
Through the refraction of the relay that structures focalization , the reader is
illuminated about the comic nature of the collective gaze through editorial
reflection , in ...
Página 86
When the reviewer of Harper ' s New Monthly Magazine , who compares the
author of The Moonstone with Defoe and Swift , praises Collins for his skill as a '
story - wright ' , we have the sense that structure is of far more importance as ...
When the reviewer of Harper ' s New Monthly Magazine , who compares the
author of The Moonstone with Defoe and Swift , praises Collins for his skill as a '
story - wright ' , we have the sense that structure is of far more importance as ...
Página 158
No man , one sees , can understand and estimate the entire structure or its parts
– what are its frailties and what its repairs , without knowing the nature of the
materials . And the conception wrought out by Bichat , with his detailed study of
the ...
No man , one sees , can understand and estimate the entire structure or its parts
– what are its frailties and what its repairs , without knowing the nature of the
materials . And the conception wrought out by Bichat , with his detailed study of
the ...
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Conteúdo
The Posthumous | 13 |
Cranford | 51 |
The Moonstone | 81 |
Direitos autorais | |
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Dickens to Hardy, 1837-1884: The Novel, the Past and Cultural Memory in the ... Julian Wolfreys Visualização parcial - 2007 |
Dickens to Hardy 1837-1884: The Novel, the Past and Cultural Memory in the ... Julian Wolfreys Visualização de trechos - 2007 |
Dickens to Hardy 1837-1884: The Novel, the Past and Cultural Memory in the ... Julian Wolfreys Não há visualização disponível - 2007 |
Termos e frases comuns
already appears arrives articulation attention authority becomes beginning Blake called chapter characters comes communication concerning condition consciousness course Cranford critical cultural Dickens difference direct discourse double effect Eliot English example experience eyes fiction figure force founded future give given hand Hardy Hardy's haunted historical identity least light literary lives London look manner marks material matter meaning memory merely middle Middlemarch Miss modes moment Moonstone motion MSPL narration narrative nature nineteenth century novel observed offers one's opening particular passage past perceived perception perhaps period perspective Pickwick political position possible present produced publication published question reader reference reflection relation relief remains remarks representation response scene scientific sense serves signs singular social staging story structure suggest takes place temporal threads tion traces transformation translation turn various Victorian visible vision visual witness writing