Patterns and Perspectives in English Renaissance DramaUniversity of Delaware Press, 1988 - 309 páginas These essays bring attention to the designs that the English Renaissance playwrights imposed on their work. Among the patterns explored are those inspired by the literature, drama, or poetics of classical times and visual patterns derived from traditions of stage presentation. |
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Página 10
... Tragedy : Form in Stuart Drama ( Amherst : University of Massachusetts Press , 1966 ) , has written about the " antilogistic structure " derived from sophistic rhetoric , and Joel Altman has emphasized " a play of mind that overran the ...
... Tragedy : Form in Stuart Drama ( Amherst : University of Massachusetts Press , 1966 ) , has written about the " antilogistic structure " derived from sophistic rhetoric , and Joel Altman has emphasized " a play of mind that overran the ...
Página 11
... tragedy . History was above all the lives of great men and women , and classical history presented to the Renaissance stories of legendary significance . Lucan , the chief source of both plays , provides the model of an elevated and ...
... tragedy . History was above all the lives of great men and women , and classical history presented to the Renaissance stories of legendary significance . Lucan , the chief source of both plays , provides the model of an elevated and ...
Página 12
... tragedy , it gave spectacular support to the didacticism of plays such as Gorboduc . In some later plays with similar themes bits of allegorical or emblematic spectacle reminis- cent of the dumb show were introduced , contributing more ...
... tragedy , it gave spectacular support to the didacticism of plays such as Gorboduc . In some later plays with similar themes bits of allegorical or emblematic spectacle reminis- cent of the dumb show were introduced , contributing more ...
Página 14
... tragedy Ford's strategy depends on the familiarity of his audience with the patterns of earlier revenge tragedy from which he departs . Arousing expectations that he does not fulfill , he devises a pattern of action not taken — of ...
... tragedy Ford's strategy depends on the familiarity of his audience with the patterns of earlier revenge tragedy from which he departs . Arousing expectations that he does not fulfill , he devises a pattern of action not taken — of ...
Página 15
... tragedies , or John Styan in The Shakespeare Revolution ( Cambridge : Cambridge Uni- versity Press , 1977 ) . The patterns ... tragedy than tragicomedy , is projected in this style , which is much better suited than Fletcher's to the ...
... tragedies , or John Styan in The Shakespeare Revolution ( Cambridge : Cambridge Uni- versity Press , 1977 ) . The patterns ... tragedy than tragicomedy , is projected in this style , which is much better suited than Fletcher's to the ...
Conteúdo
23 | |
41 | |
English Style French Style | 55 |
Reflections on the Authors Agents in Comedy | 65 |
The Appeal of the Comic Deceiver | 78 |
Aristophanes Plautus Terence and the Refinement of English Comedy | 89 |
The English Masque and the Functions of Comedy | 107 |
Patterns Derived from Traditions of Staging | 125 |
Things as They Are and the World of Absolutes in Jonsons Plays and Masques | 179 |
John Ford and the Final Exaltation of Love | 196 |
Patterns Suited to Perspectives | 207 |
Marlowe and the Jades of Asia | 209 |
The Shadow of Action | 225 |
The Dramatic Structure of The Broken Heart | 240 |
King John and the Drama of History | 252 |
Mad Lovers Vainglorious Soldiers | 281 |
The Wounds of Civil War in Plays by Shakespeare and His Predecessors | 127 |
The Ceremonies of Titus Andronicus | 138 |
Shakespeare and the Ceremonies of Romance | 148 |
Spectacles of State | 167 |
Shakespeare and Fletcher on Love and Friendship | 289 |
Index | 304 |
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Termos e frases comuns
action actor admiration antimasque appears Aristophanes audience Barabas Bartholomew Fair Bassanes Ben Jonson Caesar called Cambridge ceremony characters Charalois classical comic Constance controversia court critics dance death deceivers declamation dramatic Dryden edition Edward Edward II effect Elizabethan Emilia emotional English essay Fatal Dowry feelings final Fletcher friendship Gaveston gives Henry hero heroic humor ideal imitation Inigo Jones Ithocles John Ford Jonson Jonsonian King John knight Knight's Tale ladies laughter Lavinia London lover Mad Lover Marlowe Marlowe's masque masquers means Memnon moral Mortimer Noble Kinsmen onstage Orgilus Ovid pattern Peniboy Penthea performed Plautus play playwright plot poetry political present Queen Renaissance reprinted revenge rhetorical romance satire says scene seems Shakespeare sort spectacle spectators speech stage direction Stephen Orgel story style suggest Tamburlaine Tamora Terence theatre theme Theseus tion Titus Andronicus Titus's tradition tragedy tragicomedy transformation translation triumph University Press words
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Página 102 - ... not void of these talents, have made so wretched a use of them, that, had the consecration of their labours been committed to the hands of the hangman, no good man would have regretted their loss; nor am I afraid to mention Rabelais, and Aristophanes himself, in this number. For, if I may speak my opinion freely of these two last writers, and of their works, their design appears to me very plainly to have been to ridicule all sobriety, modesty, decency, virtue, and religion, out of the world.
Página 223 - Had fed the feeling of their masters' thoughts, And every sweetness that inspir'd their hearts, Their minds, and muses on admired themes; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period, And all...
Página 231 - And with the world be still at enmity. What need the arctic people love starlight, To whom the sun shines both by day and night? Farewell base stooping to the lordly peers! My knee shall bow to none but to the king. As for the multitude, that are...
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Página 97 - Tis not the' poet, but the age is prais'd. Wit's now arriv'd to a more high degree; Our native language more refin'd and free. Our ladies and our men now speak more wit In conversation, than those poets writ.