Patterns and Perspectives in English Renaissance DramaUniversity of Delaware Press, 1988 - 309 páginas These essays bring attention to the designs that the English Renaissance playwrights imposed on their work. Among the patterns explored are those inspired by the literature, drama, or poetics of classical times and visual patterns derived from traditions of stage presentation. |
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Página 10
... seen different sorts of signifi- cance in the controversia and in related modes of rhetorical instruction . Charles O. McDonald , in The Rhetoric of Tragedy : Form in Stuart Drama ( Amherst : University of Massachusetts Press , 1966 ) ...
... seen different sorts of signifi- cance in the controversia and in related modes of rhetorical instruction . Charles O. McDonald , in The Rhetoric of Tragedy : Form in Stuart Drama ( Amherst : University of Massachusetts Press , 1966 ) ...
Página 12
... seen on the stage . A theatrical tradition which emphasized both pageantry and verbal display underlay the two kinds of visual appeal . A particular strand of the pageantry about which Alice Venezky wrote many years ago , and more ...
... seen on the stage . A theatrical tradition which emphasized both pageantry and verbal display underlay the two kinds of visual appeal . A particular strand of the pageantry about which Alice Venezky wrote many years ago , and more ...
Página 13
... seen onstage . That Ford set great store by spectacular effects is strongly suggested by the fact that several of his plays end with ceremonial scenes . As the masque may have been indebted to classical comedy for some features of its ...
... seen onstage . That Ford set great store by spectacular effects is strongly suggested by the fact that several of his plays end with ceremonial scenes . As the masque may have been indebted to classical comedy for some features of its ...
Página 14
... , where history is indeed seen in terms of issues . In this essay I enter the field of stage history , which has been profitably explored by a number of Shakespearean critics such as Bernard Beckerman or John Russell Brown in 14 PREFACE.
... , where history is indeed seen in terms of issues . In this essay I enter the field of stage history , which has been profitably explored by a number of Shakespearean critics such as Bernard Beckerman or John Russell Brown in 14 PREFACE.
Página 30
... seen , character and action , introduced to serve the argument , tend to become the focus of interest and to domi- nate the form . Similarly , in Fulgens and Lucrece , the dramatic situation used as the basis of the debate about ...
... seen , character and action , introduced to serve the argument , tend to become the focus of interest and to domi- nate the form . Similarly , in Fulgens and Lucrece , the dramatic situation used as the basis of the debate about ...
Conteúdo
23 | |
41 | |
English Style French Style | 55 |
Reflections on the Authors Agents in Comedy | 65 |
The Appeal of the Comic Deceiver | 78 |
Aristophanes Plautus Terence and the Refinement of English Comedy | 89 |
The English Masque and the Functions of Comedy | 107 |
Patterns Derived from Traditions of Staging | 125 |
Things as They Are and the World of Absolutes in Jonsons Plays and Masques | 179 |
John Ford and the Final Exaltation of Love | 196 |
Patterns Suited to Perspectives | 207 |
Marlowe and the Jades of Asia | 209 |
The Shadow of Action | 225 |
The Dramatic Structure of The Broken Heart | 240 |
King John and the Drama of History | 252 |
Mad Lovers Vainglorious Soldiers | 281 |
The Wounds of Civil War in Plays by Shakespeare and His Predecessors | 127 |
The Ceremonies of Titus Andronicus | 138 |
Shakespeare and the Ceremonies of Romance | 148 |
Spectacles of State | 167 |
Shakespeare and Fletcher on Love and Friendship | 289 |
Index | 304 |
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Termos e frases comuns
action actor admiration antimasque appears Aristophanes audience Barabas Bartholomew Fair Bassanes Ben Jonson Caesar called Cambridge ceremony characters Charalois classical comic Constance controversia court critics dance death deceivers declamation dramatic Dryden edition Edward Edward II effect Elizabethan Emilia emotional English essay Fatal Dowry feelings final Fletcher friendship Gaveston gives Henry hero heroic humor ideal imitation Inigo Jones Ithocles John Ford Jonson Jonsonian King John knight Knight's Tale ladies laughter Lavinia London lover Mad Lover Marlowe Marlowe's masque masquers means Memnon moral Mortimer Noble Kinsmen onstage Orgilus Ovid pattern Peniboy Penthea performed Plautus play playwright plot poetry political present Queen Renaissance reprinted revenge rhetorical romance satire says scene seems Shakespeare sort spectacle spectators speech stage direction Stephen Orgel story style suggest Tamburlaine Tamora Terence theatre theme Theseus tion Titus Andronicus Titus's tradition tragedy tragicomedy transformation translation triumph University Press words
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Página 70 - Gentle breath of yours my sails Must fill, or else my project fails, Which was to please. Now I want Spirits to enforce, art to enchant; And my ending is despair Unless I be reliev'd by prayer, Which pierces so that it assaults Mercy itself, and frees all faults.
Página 102 - ... not void of these talents, have made so wretched a use of them, that, had the consecration of their labours been committed to the hands of the hangman, no good man would have regretted their loss; nor am I afraid to mention Rabelais, and Aristophanes himself, in this number. For, if I may speak my opinion freely of these two last writers, and of their works, their design appears to me very plainly to have been to ridicule all sobriety, modesty, decency, virtue, and religion, out of the world.
Página 223 - Had fed the feeling of their masters' thoughts, And every sweetness that inspir'd their hearts, Their minds, and muses on admired themes; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period, And all...
Página 231 - And with the world be still at enmity. What need the arctic people love starlight, To whom the sun shines both by day and night? Farewell base stooping to the lordly peers! My knee shall bow to none but to the king. As for the multitude, that are...
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Página 210 - Holla, ye pampered jades of Asia! What, can ye draw but twenty miles a day, And have so proud a chariot at your heels, And such a coachman as great Tamburlaine, But from Asphaltis, where I conquered you, To Byron here, where thus I honour you?
Página 97 - Tis not the' poet, but the age is prais'd. Wit's now arriv'd to a more high degree; Our native language more refin'd and free. Our ladies and our men now speak more wit In conversation, than those poets writ.