The Art of Elocution: Or, Logical and Musical Reading and Declamation. With an Appendix Containing a Copious Practice in Oratorical, Poetical, and Dramatic Reading and Recitation; the Whole Forming a Complete Speaker, Well Adapted to Private Pupils, Classes, and the Use of SchoolsShepard, 1847 - 383 páginas |
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Página 17
... requires apposition of inflection , -and that , to make antithetical inflections and emphasis on words having apposition of meaning , is such a total subversion of every rule of Elocution and common sense , as to excite wonder at the ...
... requires apposition of inflection , -and that , to make antithetical inflections and emphasis on words having apposition of meaning , is such a total subversion of every rule of Elocution and common sense , as to excite wonder at the ...
Página 63
... requires more frequent stopping - places , at more equal intervals , and of better regulated proportionate duration ; both for his own ease and relief , to enable him to acquire fresh impetus on his journey ; and for the convenience of ...
... requires more frequent stopping - places , at more equal intervals , and of better regulated proportionate duration ; both for his own ease and relief , to enable him to acquire fresh impetus on his journey ; and for the convenience of ...
Página 80
... but yours . This letter is yours , not mine . You said you were coming home.- No ; I did not . 4. The IMPERATIVE sense requires the falling inflection . Hence horrible shadow , Unreal mockery , hence ! Let 80 ART OF ELOCUTION .
... but yours . This letter is yours , not mine . You said you were coming home.- No ; I did not . 4. The IMPERATIVE sense requires the falling inflection . Hence horrible shadow , Unreal mockery , hence ! Let 80 ART OF ELOCUTION .
Página 86
... requires , to be complete , not only stress , but inflection ; and that that inflection is governed by the character of the emphasis . But , first , it is proper to observe here the distinc- tion between our language and that of the ...
... requires , to be complete , not only stress , but inflection ; and that that inflection is governed by the character of the emphasis . But , first , it is proper to observe here the distinc- tion between our language and that of the ...
Página 90
... requires the rising in- flection . Now , by placing that inflection on any one word , and at the same time giving weight or stress to that inflection — the sense will be emphasized on that particular word ; and as the emphasis of sense ...
... requires the rising in- flection . Now , by placing that inflection on any one word , and at the same time giving weight or stress to that inflection — the sense will be emphasized on that particular word ; and as the emphasis of sense ...
Outras edições - Ver todos
The Art of Elocution, Or, Logical and Musical Reading and Declamation: With ... George Vandenhoff Visualização completa - 1851 |
The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ... George Vandenhoff Visualização completa - 1847 |
The Art of Elocution; Or Logical and Musical Reading and Declamation: With ... George Vandenhoff Prévia não disponível - 2018 |
Termos e frases comuns
accented Adrastus antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rest rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Passagens mais conhecidas
Página 283 - When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee.
Página 334 - You have done that you should be sorry for. There is no terror, Cassius, in your threats, For I am arm'd so strong in honesty That they pass by me as the idle wind, Which I respect not.
Página 185 - Ye elves of hills, brooks, standing lakes, and groves ; * And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Página 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Página 358 - The quality of mercy is not strain'd, It droppeth as the gentle rain from heaven Upon the place beneath; it is twice bless'd; It blesseth him that gives and him that takes...
Página 321 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers ! Thou art the ruins of the noblest man That ever lived in the tide of times.
Página 337 - When that the poor have cried, Caesar hath wept; Ambition should be made of sterner stuff: Yet Brutus says he was ambitious, And Brutus is an honorable man. You all did see that on the Lupercal I thrice presented him a kingly crown, Which he did thrice refuse.
Página 338 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Página 288 - River where ford there was none; But, ere he alighted at Nethe'rby gate, The bride had consented, the gallant came late: For. a laggard in love and a dastard in war Was to wed the fair Ellen of brave Lochinvar.
Página 288 - O, young Lochinvar is come out of the west, Through all the wide Border his steed was the best ; And save his good broad-sword he weapon had none, He rode all unarmed, and he rode all alone. So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar.