Spenser's Control of Tone as a Structuring Principle in Books Three and Four of The Faerie Queene

action allegorical Alpers Amoret appears Ariostan Ariosto Artegall Arthos Arthur audience aware beauty Blandamour Braggadocchio Brito Britomart Canto characters Chastity Chaucer Cleanth Brooks comedy context conventional courtly critical discord doth dramatic irony Duessa Durling Edmund Spenser English epic simile episode ethos example Faerie Queene False Florimell Fiction figure Florimell's Fourth Books friendship Glauce goodly Guyon hart Hellenore ironic tones ironist irony of situation judgement knight Ladies lives end lovers lust Malbecco Malecasta Marinell mine7 moral narrative Narrator Narrator's Orlando Furioso Paridell parody persona plot Poeana poem Poet position praise Press Princeton Proem rator reader relationship Renaissance rhetorical romantic epic satire satirist Satyrane says Scudamour seems selfe Spenserian narrator spright Squire of Dames stanza story structure thee thou tion tonal Tournament two-book unit types of irony Unpublished dissertation unto Variorum verbal irony viii W. H. Auden weene York