The Album, Band 3J. Andrews., 1823 |
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... CHARACTER OF THE TRIBE OF BENJAMIN 50 STANZAS , ON THE LOSS OF HIS MAJESTY'S SHIP SALDANAH . BY THE LATE THOMAS SHERIDAN , ESQ . HUMAN SORROW ...... ON THE ( SO CALLED ) TOMB OF PSAMMIS ON NATURE AND ART IN POETRY ... THE STRATFORD ...
... CHARACTER OF THE TRIBE OF BENJAMIN 50 STANZAS , ON THE LOSS OF HIS MAJESTY'S SHIP SALDANAH . BY THE LATE THOMAS SHERIDAN , ESQ . HUMAN SORROW ...... ON THE ( SO CALLED ) TOMB OF PSAMMIS ON NATURE AND ART IN POETRY ... THE STRATFORD ...
Seite 2
... character of the drama , its studied representation of nature , and intricate ar- rangement of plot , we are ... characters , and appropriate scenery and decorations . In the time of Sophocles , twenty - two years after Eschylus , the ...
... character of the drama , its studied representation of nature , and intricate ar- rangement of plot , we are ... characters , and appropriate scenery and decorations . In the time of Sophocles , twenty - two years after Eschylus , the ...
Seite 3
... character . The two plays we have mentioned are splendid examples of dramatic excellence ; they are , perhaps , the most unexceptionably beautiful of the Greek tragedies . With what singular felicity of con- ception is the disposition ...
... character . The two plays we have mentioned are splendid examples of dramatic excellence ; they are , perhaps , the most unexceptionably beautiful of the Greek tragedies . With what singular felicity of con- ception is the disposition ...
Seite 4
We must be understood to speak of the artificial character of the Greek drama , simply in relation to the age of the composition . We are by no means disposed to consider this as its leading feature , or to undervalue the great and more ...
We must be understood to speak of the artificial character of the Greek drama , simply in relation to the age of the composition . We are by no means disposed to consider this as its leading feature , or to undervalue the great and more ...
Seite 5
... character and calamities of the Persian king . Such circumstances as these , were undoubtedly great auxiliaries to the success of the an- cient tragedies ; but the opinion of posterity , more solid than the mere excitation of popular ...
... character and calamities of the Persian king . Such circumstances as these , were undoubtedly great auxiliaries to the success of the an- cient tragedies ; but the opinion of posterity , more solid than the mere excitation of popular ...
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Häufige Begriffe und Wortgruppen
Adam Blair admirable Ali Pacha ancient Angels Apis appeared arms beautiful body called Captain Franklin Catline character Charles Kemble colour composite order death delight dramatic effect eyes face Faulconbridge Faust feeling feet fire Fort Chipewyan genius Gibeah give Glenoe Græme Greeks hand happiness head heard heart heaven Hepburn honour Hood human imagination inches Indians language less lips living look Lord Lord Byron Lucy manner means ment Meph Mephistopheles mind Morea Mussulmen mysteries nature never night Osiris Othello Pacha passed passion Peloponnesus perhaps person Phorcys play poetical poetry racter reader recollection rites round scarcely scene seemed seen Serapeum Serapis Shakspeare shew side snow soul speak spirit style success taste thing thou thought tion tragedy tribe Trophonius truth voice whilst whole words writing young
Beliebte Passagen
Seite 410 - A countenance in which did meet Sweet records, promises as sweet; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Seite 410 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition, sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May- time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and waylay.
Seite 298 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Seite 22 - Put out the light, and then put out the light. If I quench thee, thou flaming minister, I can again thy former light restore, Should I repent me; but once put out thy light, Thou cunning'st pattern of excelling nature, I know not where is that Promethean heat That can thy light relume.
Seite 389 - English poets are the writers, a study of whom might incite us to do that for our own age which they have done for theirs. But it must be the real language of men in general, and not that of any particular class to whose society the writer happens to belong.
Seite 426 - Nor would redeem a moment of that hour; I do not combat against death, but thee And thy surrounding angels; my past power, Was purchased by no compact with thy crew, But by superior science — penance, daring, And length of watching, strength of mind, and skill In knowledge of our fathers— when the earth Saw men and spirits walking side by side, And gave ye no supremacy: I stand Upon my strength — I do defy — deny — Spurn back, and scorn ye!
Seite 97 - Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh, could I feel as I have felt, — or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene ; As springs in deserts found seem sweet, all brackish though they be, So, midst the wither'd waste of life, those tears would flow to me.
Seite 152 - And hitting and splitting, And shining and twining, And rattling and battling, And shaking and quaking, And pouring and roaring, And waving and raving, And tossing and crossing, And flowing and going, And running and stunning, And foaming and roaming, And dinning and spinning.
Seite 96 - Her brow was white and low, her cheek's pure dye Like twilight rosy still with the set sun ; Short upper lip — sweet lips ! that make us sigh Ever to have seen such ; for she was one Fit for the model of a statuary, (A race of mere impostors, when all's done — I've seen much finer women, ripe and real, Than all the nonsense of their stone ideal.
Seite 169 - Otsego, or pausing to listen to the rattling of wheels and the sounds of hammers, that rose from the valley to mingle the signs of men with the scenes of nature, when Elizabeth suddenly started, and exclaimed : — "Listen! there are the cries of a child on this mountain! Is there a clearing near us, or can some little one have strayed from its parents ? " "Such things frequently happen,