Dramatic Micellanies [sic]: Consisting of Critical Observations on Several Plays of Shakspeare: with a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick, and Other Celebrated Comedians. ... By Thomas Davies, ... In Three Volumes. ...author, and sold at his shop, 1783 - 2 páginas |
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Página 35
... audience . LA FEU . I think thou waft created for men to breathe them- felves upon . Lafeu is not very nice in the choice of terms to express his fcorn and contempt of Parolles . • Breathe upon ' is to be under- stood in the fame fenfe ...
... audience . LA FEU . I think thou waft created for men to breathe them- felves upon . Lafeu is not very nice in the choice of terms to express his fcorn and contempt of Parolles . • Breathe upon ' is to be under- stood in the fame fenfe ...
Página 39
... audience . Upon its last revi- val , it was acted with fuch theatrical skill e- as excited general merriment . The un- binding Parolles C 4 as ALL'S WELL THAT ENDS WELL . 39 All his phrases of that kind are to be un- ...
... audience . Upon its last revi- val , it was acted with fuch theatrical skill e- as excited general merriment . The un- binding Parolles C 4 as ALL'S WELL THAT ENDS WELL . 39 All his phrases of that kind are to be un- ...
Página 44
... audience . Why is Dryden's Don Sebastian almost ba- nifhed our theatres ? The progrefs of the play , to a glorious fourth act , promises a noble catastrophe . In the fifth act , the two lovers , Sebaftian and Almeyda , are difcovered to ...
... audience . Why is Dryden's Don Sebastian almost ba- nifhed our theatres ? The progrefs of the play , to a glorious fourth act , promises a noble catastrophe . In the fifth act , the two lovers , Sebaftian and Almeyda , are difcovered to ...
Página 45
... audience in a revival . But another very powerful reafon for not acting King and no King prevailed , I am perfuaded , with a man of Garrick's re- flection . He did not choose to hazard the obtruding fuch a character on the public , as ...
... audience in a revival . But another very powerful reafon for not acting King and no King prevailed , I am perfuaded , with a man of Garrick's re- flection . He did not choose to hazard the obtruding fuch a character on the public , as ...
Página 46
... audience by being often kicked . Can we laugh at him , who , when completely drubbed , fays , • That fufferance has made me wainscot . Humanity must be fhocked at this as well as what follows : • There is not a rib in his body that has ...
... audience by being often kicked . Can we laugh at him , who , when completely drubbed , fays , • That fufferance has made me wainscot . Humanity must be fhocked at this as well as what follows : • There is not a rib in his body that has ...
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Dramatic Micellanies: Consisting of Critical Observations on ..., Volume 2 Thomas Davies Visualização completa - 1783 |
Dramatic Micellanies [sic]: Consisting of Critical Observations on Several ... Thomas Davies Visualização completa - 1783 |
Termos e frases comuns
acted actor admirable affumed againſt almoſt Antony audience Beaumont and Fletcher beſt Booth Brutus Caffius Catiline character Cibber Cicero Cleopatra Colley Cibber comedians comedy confequence Cordelia death Engliſh Epicure expreffion faid fame fatire fays fcene feems feen feveral fhall fince firft firſt fituation flaves fome foon fpectators fpirit ftage fubject fuch fuffer fuperior fuppofe fure Garrick himſelf honour humour huſband Johnſon Jonfon Julius Cæfar King Lady laſt Lear Leonard Diggs Lope de Rueda Macbeth Macduff Mark Antony maſter merit moft moſt murder muſt Notwithſtanding obfervations paffage paffion perfon play players pleaſe pleaſure poet preſent Quin racters raiſed reaſon refembling repreſentation repreſented reſtored revived Roman Roman actors ſay ſcene ſeems Sejanus ſeveral Shakspeare Shakspeare's ſhe ſhould Silent Woman ſkill ſpeak ſtage ſtate Steevens ſtill ſuppoſe taſte theatre thefe theſe thofe thoſe tion tragedy uſe Volpone whofe Wilks word writer
Passagens mais conhecidas
Página 318 - Methinks I should know you, and know this man; Yet I am doubtful; for I am mainly' ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me ; For, as I am a man, I think this lady To be my child Cordelia.
Página 255 - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Página 210 - Set honour in one eye and death i' the other, And I will look on both indifferently; For let the gods so speed me as I love The name of honour more than I fear death.
Página 317 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Página 265 - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
Página 147 - What hands are here? ha! they pluck out mine eyes! Will all great Neptune's ocean wash this blood Clean from my hand? No; this my hand will rather The multitudinous seas incarnadine, Making the green one red.
Página 20 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
Página 128 - He made darkness his secret place, his pavilion round about Him with dark water, and thick clouds to cover Him.
Página 279 - But we should reflect, that Lear is not agitated by one passion only, that he is not moved by rage, by grief, and indignation, singly, but by a tumultuous combination of them all together, where all claim to be heard at once, and where one naturally interrupts the progress of the other.
Página 355 - Ant. Come on, my soldier! Our hearts and arms are still the same : I long Once more to meet our foes; that thou and I, Like Time and Death, marching before our troops, May taste fate to them ; mow them out a passage, And, entering where the foremost squadrons yield, Begin the noble harvest of the field.