Theatre Arts, Volume 1

Capa
Sheldon Cheney, Edith Juliet Rich Isaacs
Theatre Publications, 1917
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Página 188 - That the owner is: (If owned by a corporation, its name and address must be stated and also immediately thereunder the names and addresses of stockholders owning or holding one per cent or more of total amount of stock. If not owned by a corporation, the names and addresses of the individual owners must be given.
Página 188 - ... affiant has no reason to believe that any other person, association, or corporation has any interest direct or indirect in the said stock, bonds or other securities than as so stated by him. 5. That the average number of copies of each issue of this publication sold or distributed, through the mails or otherwise, to paid subscribers during the six months preceding the date shown above is (This information is required from daily publications only.) F.
Página 188 - INDEPENDENT, and that the following is, to the best of his knowledge and belief, a true statement of the ownership, management, etc., of the aforesaid publication for the date shown in the above caption, required by the Act of August 24, 1912, embodied in Section 443, Postal Laws and Regulations, to wit: 1. That the names and addresses of the publisher, editor, managing editor, and business managers are: Publisher, The Dearborn Publishing Company, Dearborn, Michigan; Editor, WJ Cameron, Dearborn,...
Página 108 - ... four pylons, constructed of canvas on wooden frames, each of the three covered faces measuring two and one-half by eighteen feet ; two canvas flats, each three by eighteen feet: two sections of stairs three feet long, and one section eight feet long, of uniform...
Página 89 - By means of suggestion you may bring on the stage a sense of all things — the rain, the sun, the wind, the snow, the hail, the . intense heat — but you will never bring them there by attempting to wrestle and close with Nature, in order so that you may seize some of her treasure and lay it before the eyes of the multitude. By means of suggestion in movement you may translate all the passions and the thoughts of vast!
Página 89 - It has never been the purpose of art to reflect and make uglier the ugliness of things, but to transform and make the already beautiful more beautiful, and, in following this purpose, art shields us with sweet influences from the dark sorrows of our weakness.
Página 155 - We are concerned with the heart of this thing, and with loving and understanding it. Therefore approach it from all sides, surround it, and do not let yourself be attracted away by the idea of scene as an end in itself, of costume as an end in itself, or of stage management or any of these things, and never lose hold of your determination to win through to the secret — the secret which lies in the creation of another beauty, and then all will be well.
Página 161 - a deliberate art. Nothing is left to chance; the actor no more yields to the impulse of the movement in gesture than in the spoken words... precisely as the text of the play remains the same whoever the actor may be... so there is no reason why an accepted gesture language should be varied with a view to set off the actor's personality.
Página 188 - Maga-i:inet and that the following is, to the best of his knowledge and belief, a true statement of the ownership, management (and if...

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