Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 12
... voices in the Arte nuevo come from Lope who is engaged in a dialogic exchange with himself in which nei- ther voice entirely convinces the other . Like the Stranger , Lope seeks to tie his comedias to a respectable set of literary rules ...
... voices in the Arte nuevo come from Lope who is engaged in a dialogic exchange with himself in which nei- ther voice entirely convinces the other . Like the Stranger , Lope seeks to tie his comedias to a respectable set of literary rules ...
Página 14
... voice because it is indicative of the enthusiasm and reverence with which I have long heard actors speak of this ancient Greek figure . Gerald Else puts it a bit more modestly when he says that Thespis's contribution was really the ...
... voice because it is indicative of the enthusiasm and reverence with which I have long heard actors speak of this ancient Greek figure . Gerald Else puts it a bit more modestly when he says that Thespis's contribution was really the ...
Página 30
... voices of singers like Roberto Alagna and Rene Fleming . Thus , most criticism of a particular operatic production will concentrate not on the effectiveness of the storytelling , but on the performances of the singers themselves ...
... voices of singers like Roberto Alagna and Rene Fleming . Thus , most criticism of a particular operatic production will concentrate not on the effectiveness of the storytelling , but on the performances of the singers themselves ...
Página 43
... voice , gestures , and gazes ; or , as Surtz would say , " through the evocative power of the spo- ken word " ( Birth 22 ) . What Else's diffidence regarding rhapsodic performance ul- timately comes down to is once again a conflation of ...
... voice , gestures , and gazes ; or , as Surtz would say , " through the evocative power of the spo- ken word " ( Birth 22 ) . What Else's diffidence regarding rhapsodic performance ul- timately comes down to is once again a conflation of ...
Página 50
... voice , as the troubadour s song once represented the crystallized fever of a courtly lover . Hollis Huston The Actor's Instrument A Continuing Performance Tradition The popular entertainers I invoked in the previous chapter are not ...
... voice , as the troubadour s song once represented the crystallized fever of a courtly lover . Hollis Huston The Actor's Instrument A Continuing Performance Tradition The popular entertainers I invoked in the previous chapter are not ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words