Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 8
... of several contemporary theorists of performance and orality , and , through an examina- tion of a thirteenth - century illuminated manuscript depict- ing a fool grimacing directly at the reader , suggests 8 Introduction.
... of several contemporary theorists of performance and orality , and , through an examina- tion of a thirteenth - century illuminated manuscript depict- ing a fool grimacing directly at the reader , suggests 8 Introduction.
Página 11
... tion of the theater created by such playwrights as Encina , Lope de Vega , Juan Ruiz de Alarcon , Calderon , and Sor Juana Ines de la Cruz ( all of whom form part of a pan - European tradition that also includes such playwrights as ...
... tion of the theater created by such playwrights as Encina , Lope de Vega , Juan Ruiz de Alarcon , Calderon , and Sor Juana Ines de la Cruz ( all of whom form part of a pan - European tradition that also includes such playwrights as ...
Página 14
... tion of the pre - existing dithyrambic form by either " adding a new dimension to what had been a strictly choral performance [ or ] bringing out in sharper relief a dimension which was al- ready implicit in it : that of ' dialogue ' or ...
... tion of the pre - existing dithyrambic form by either " adding a new dimension to what had been a strictly choral performance [ or ] bringing out in sharper relief a dimension which was al- ready implicit in it : that of ' dialogue ' or ...
Página 27
... tion opens for an audience . Yet , even when all of these elements have been added to the performance , their referential effective- ness is still very much a product of the actor's original creation of the imaginary object : the ...
... tion opens for an audience . Yet , even when all of these elements have been added to the performance , their referential effective- ness is still very much a product of the actor's original creation of the imaginary object : the ...
Página 30
... tion is so routinely subordinated to the performant function that the actual telling of a good story would itself be an exception to the general rule . Opera , for instance , offers us a prime ex- ample of this . Generally speaking ...
... tion is so routinely subordinated to the performant function that the actual telling of a good story would itself be an exception to the general rule . Opera , for instance , offers us a prime ex- ample of this . Generally speaking ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words