Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página iv
... Theater - Spain - History . 2. Minstrels - Spain - History . 3. Street theater - Spain - History . I. Title . PN2781.B87 2007 792.0946 - dc22 2006026138 For Toni , of course El viento iba y venia iv.
... Theater - Spain - History . 2. Minstrels - Spain - History . 3. Street theater - Spain - History . I. Title . PN2781.B87 2007 792.0946 - dc22 2006026138 For Toni , of course El viento iba y venia iv.
Página xi
... theater ; and to Robert Burt for the hundreds of hours of stimulating conversation ( not to mention bucolic walks around Wood- bridge ) that I continue to look back on with fondness . Of course , I cannot fail to mention Mary Faust ...
... theater ; and to Robert Burt for the hundreds of hours of stimulating conversation ( not to mention bucolic walks around Wood- bridge ) that I continue to look back on with fondness . Of course , I cannot fail to mention Mary Faust ...
Página 2
... theater , both of which have served to move the actor from the theatri- cal periphery to center stage . First , beginning in the 1960s a new generation of theater practitioners and critics — informed by a keen interdisciplinary spirit ...
... theater , both of which have served to move the actor from the theatri- cal periphery to center stage . First , beginning in the 1960s a new generation of theater practitioners and critics — informed by a keen interdisciplinary spirit ...
Página 3
... Theater ( AHCT ) , whose own Comedia Performance is the only academic journal de- voted exclusively to the topic . While this book is profoundly indebted to the pioneering ef- forts of those theorists and critics who have come before me ...
... Theater ( AHCT ) , whose own Comedia Performance is the only academic journal de- voted exclusively to the topic . While this book is profoundly indebted to the pioneering ef- forts of those theorists and critics who have come before me ...
Página 5
... theater and performance that are best made explicit from the outset . I will assume that theater occurs much more frequently than we usually admit ; that we are almost al- ways surrounded by theater . I will assume that theater occurs ...
... theater and performance that are best made explicit from the outset . I will assume that theater occurs much more frequently than we usually admit ; that we are almost al- ways surrounded by theater . I will assume that theater occurs ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words