Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página i
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. RADICAL THEATRICALITY Purdue Studies in Romance Literatures Editorial Board Associate Editors PSRL.
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. RADICAL THEATRICALITY Purdue Studies in Romance Literatures Editorial Board Associate Editors PSRL.
Página iii
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. RADICAL THEATRICALITY Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Purdue University Press West Lafayette , Indiana This One 3U69 - E8P ...
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. RADICAL THEATRICALITY Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Purdue University Press West Lafayette , Indiana This One 3U69 - E8P ...
Página ix
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. Contents xi Acknowledgments 1 Introduction 13 Chapter One Reinventing Thespis 50 Chapter Two Singers of Tales on Simple Stages 90 Chapter Three Picaresque Actors ...
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. Contents xi Acknowledgments 1 Introduction 13 Chapter One Reinventing Thespis 50 Chapter Two Singers of Tales on Simple Stages 90 Chapter Three Picaresque Actors ...
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... stage , this book does not seek to promote an interpretive model for reading plays . Indeed , when you " deconstruct " the theater , stripping away everything that is extraneous , supplementary , and / or unnecessary , many of the ...
... stage , this book does not seek to promote an interpretive model for reading plays . Indeed , when you " deconstruct " the theater , stripping away everything that is extraneous , supplementary , and / or unnecessary , many of the ...
Página 7
... stage . A man walks across this empty space whilst someone else is watching him , and this is all that is needed for an act of theatre to be engaged " ( 9 ) . Theater presents rather than represents , it does rather than shows , it is ...
... stage . A man walks across this empty space whilst someone else is watching him , and this is all that is needed for an act of theatre to be engaged " ( 9 ) . Theater presents rather than represents , it does rather than shows , it is ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words