Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página xi
... scholar . A better mentor I could not have asked for . I also owe a profound debt of gratitude to Manuel Duran and Maria Rosa Menocal for their intellectual support and sage advice ; to Harold Bloom for acting as my guide during my ...
... scholar . A better mentor I could not have asked for . I also owe a profound debt of gratitude to Manuel Duran and Maria Rosa Menocal for their intellectual support and sage advice ; to Harold Bloom for acting as my guide during my ...
Página xii
... these journals for per- mission to reprint this material . I also wish to thank the National Endowment for the Humanities for supporting this project . Introduction The hero of this book — if a scholarly xii Acknowledgments.
... these journals for per- mission to reprint this material . I also wish to thank the National Endowment for the Humanities for supporting this project . Introduction The hero of this book — if a scholarly xii Acknowledgments.
Página 1
... scholarly work can be said to have a central protagonist — is an actor ; or , better yet , a series of ac- tors . But this ... scholars commonly refer to as the oral tradition , and although I will engage many of the per- formance texts ...
... scholarly work can be said to have a central protagonist — is an actor ; or , better yet , a series of ac- tors . But this ... scholars commonly refer to as the oral tradition , and although I will engage many of the per- formance texts ...
Página 2
... scholars , the history of the early Spanish stage is really the account of a particular type of Iberian literary genius best revealed in the pages of care- fully edited critical editions . And within this literary trajectory , the ...
... scholars , the history of the early Spanish stage is really the account of a particular type of Iberian literary genius best revealed in the pages of care- fully edited critical editions . And within this literary trajectory , the ...
Página 3
... Scholars as diverse as Andres Amoros , Jose Maria Díez Borque , Catherine Larson , Rogelio Minana , Barbara Mujica , Matthew Stroud , Jose Maria Ruano de la Haza , and Sherry Velasco have helped revolutionize a field once dominated by a ...
... Scholars as diverse as Andres Amoros , Jose Maria Díez Borque , Catherine Larson , Rogelio Minana , Barbara Mujica , Matthew Stroud , Jose Maria Ruano de la Haza , and Sherry Velasco have helped revolutionize a field once dominated by a ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words