Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 20
... perhaps became the most popular cultural product of seventeenth- century Spain in so aristocratic a setting as the court does not explain the attraction of the work of Lope de Vega and others for a paying theater - going public largely ...
... perhaps became the most popular cultural product of seventeenth- century Spain in so aristocratic a setting as the court does not explain the attraction of the work of Lope de Vega and others for a paying theater - going public largely ...
Página 24
... perhaps the most ubiquitous actors of the Middle Ages virtually invisible to our post - Renaissance eyes . Ramón Menéndez Pidal , for instance , in his monumental study Poesia juglaresca y juglares , attempts to clearly distin- guish ...
... perhaps the most ubiquitous actors of the Middle Ages virtually invisible to our post - Renaissance eyes . Ramón Menéndez Pidal , for instance , in his monumental study Poesia juglaresca y juglares , attempts to clearly distin- guish ...
Página 28
... perhaps wise to theatrical con- ventions , is not left wondering if the " goblet " is really crystal , or if the beverage inside is really champagne . By setting aside the notion that " genuine " theater requires the materiality asso ...
... perhaps wise to theatrical con- ventions , is not left wondering if the " goblet " is really crystal , or if the beverage inside is really champagne . By setting aside the notion that " genuine " theater requires the materiality asso ...
Página 29
... perhaps , do more traditional critics — that the a priori verbal text will always remain paramount . On the con- trary , when a separation between the two functions does occur for the audience , it is usually the referential function ...
... perhaps , do more traditional critics — that the a priori verbal text will always remain paramount . On the con- trary , when a separation between the two functions does occur for the audience , it is usually the referential function ...
Página 30
... perhaps be considered the real " text " of the work , it too remains subordinate to the actual performance . People generally go to the opera not to contemplate the intricate struc- ture of the motifs , but to hear the exquisite voices ...
... perhaps be considered the real " text " of the work , it too remains subordinate to the actual performance . People generally go to the opera not to contemplate the intricate struc- ture of the motifs , but to hear the exquisite voices ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words