Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 1
... less for the ideologies of the Volksgeist . I will make no attempt to generalize about what might be called the " Spanish temperament , " nor will I privilege a romanticized version of the underclass in order to comment on its ...
... less for the ideologies of the Volksgeist . I will make no attempt to generalize about what might be called the " Spanish temperament , " nor will I privilege a romanticized version of the underclass in order to comment on its ...
Página 6
... less arbitrary than any other set of critical assumptions employed by scholars and critics . As will become apparent , however , my broad methodology does have the distinct advan- tage of shedding light on intertextualities that have ...
... less arbitrary than any other set of critical assumptions employed by scholars and critics . As will become apparent , however , my broad methodology does have the distinct advan- tage of shedding light on intertextualities that have ...
Página 14
... less coincides with the establishment of the City Dionysia in Athens in 534 BCE , an annual religious festival and competition that would eventually showcase the dramatic works of the best playwrights of ancient Greece . If Thespis ...
... less coincides with the establishment of the City Dionysia in Athens in 534 BCE , an annual religious festival and competition that would eventually showcase the dramatic works of the best playwrights of ancient Greece . If Thespis ...
Página 15
... less in- stitutionalized ; that is , when its mimetic representation is tied to a pre - written , literary document as well as to a pre - existing performance space . Like Claude Levi - Strauss's now - famous division between the " raw ...
... less in- stitutionalized ; that is , when its mimetic representation is tied to a pre - written , literary document as well as to a pre - existing performance space . Like Claude Levi - Strauss's now - famous division between the " raw ...
Página 17
... less problematic even when we think we have a clear concept of both . Hence , after the late Roman institutional theater disappeared along with the empire in the fifth and sixth centuries CE , the " rebirth " of the Western dramatic ...
... less problematic even when we think we have a clear concept of both . Hence , after the late Roman institutional theater disappeared along with the empire in the fifth and sixth centuries CE , the " rebirth " of the Western dramatic ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words