Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 8
... kind of literary dialogue between characters traditionally asso- ciated with drama — this book examines the performative poetics of the jongleuresque tradition ( broadly defined to en- compass such disparate performers as ancient Greek ...
... kind of literary dialogue between characters traditionally asso- ciated with drama — this book examines the performative poetics of the jongleuresque tradition ( broadly defined to en- compass such disparate performers as ancient Greek ...
Página 19
... kind of vicarious rituals per- formed in the great miracle and mystery cycles of northern Eu- rope . From this point of ( negative ) departure , then , Surtz seeks to locate the origins of the Spanish national theater in the ritu ...
... kind of vicarious rituals per- formed in the great miracle and mystery cycles of northern Eu- rope . From this point of ( negative ) departure , then , Surtz seeks to locate the origins of the Spanish national theater in the ritu ...
Página 20
... kind of mimetic representation . Second , locating the origins of what perhaps became the most popular cultural product of seventeenth- century Spain in so aristocratic a setting as the court does not explain the attraction of the work ...
... kind of mimetic representation . Second , locating the origins of what perhaps became the most popular cultural product of seventeenth- century Spain in so aristocratic a setting as the court does not explain the attraction of the work ...
Página 27
... kind of " bottle " into which the performance is " poured , " there is still a great leap between the shape and dimensions of that bottle and the flavor of the liquid inside . Hollis Huston's examination of what he calls the " simple ...
... kind of " bottle " into which the performance is " poured , " there is still a great leap between the shape and dimensions of that bottle and the flavor of the liquid inside . Hollis Huston's examination of what he calls the " simple ...
Página 28
... particular performance as little more than a secondary " manifestation " of this pre - existing verbal text , but he argues that audiences rarely experience theater in this kind of dualistic fashion . For 28 Chapter One.
... particular performance as little more than a secondary " manifestation " of this pre - existing verbal text , but he argues that audiences rarely experience theater in this kind of dualistic fashion . For 28 Chapter One.
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words