Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 1
... jongleur — whose multifaceted work can be traced across time and space , and whose performance has always entailed a great deal more than just the recitation of oral poetry . Of course , the hero of the early Spanish stage has not al ...
... jongleur — whose multifaceted work can be traced across time and space , and whose performance has always entailed a great deal more than just the recitation of oral poetry . Of course , the hero of the early Spanish stage has not al ...
Página 9
... jongleur with his radically theatrical glance outward — con- stitutes a far better theatrical archetype than Thespis , whose own decisive moment of transition may very well have been influenced by the street performers of his day ...
... jongleur with his radically theatrical glance outward — con- stitutes a far better theatrical archetype than Thespis , whose own decisive moment of transition may very well have been influenced by the street performers of his day ...
Página 10
... jongleur , " between the " pfcaro " and the " comediante " ( all of whom necessarily en- gage their spectators in a ... jongleurs , mountebanks , trained animals , singers of tales , and puppeteers within a performance that gets progres ...
... jongleur , " between the " pfcaro " and the " comediante " ( all of whom necessarily en- gage their spectators in a ... jongleurs , mountebanks , trained animals , singers of tales , and puppeteers within a performance that gets progres ...
Página 11
... jongleur- esque performance lies at the very heart of early modern literary drama in much the same way that an ancient town well — which undoubtedly served as a medieval jongleuresque performative venue — sits at the inner core of the ...
... jongleur- esque performance lies at the very heart of early modern literary drama in much the same way that an ancient town well — which undoubtedly served as a medieval jongleuresque performative venue — sits at the inner core of the ...
Página 24
... jongleur — as " accidental poets " who have left behind awkwardly " semi- dramatic " pieces of " oral literature , " rather than as deliberate actors whose literary texts were part of a much larger theatrical phenomenon . In essence ...
... jongleur — as " accidental poets " who have left behind awkwardly " semi- dramatic " pieces of " oral literature , " rather than as deliberate actors whose literary texts were part of a much larger theatrical phenomenon . In essence ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words