Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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... fact that this project has changed a great deal since my graduate student days , are the names of the many people to whom I remain so greatly indebted . First and foremost , I wish to express my deep gratitude to Roberto Gonzalez ...
... fact that this project has changed a great deal since my graduate student days , are the names of the many people to whom I remain so greatly indebted . First and foremost , I wish to express my deep gratitude to Roberto Gonzalez ...
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... fact that a number of historical figures will make an appearance . At the same time , this serial hero cannot really be called a " collective " protagonist either . Although one of the things I will certainly examine throughout the ...
... fact that a number of historical figures will make an appearance . At the same time , this serial hero cannot really be called a " collective " protagonist either . Although one of the things I will certainly examine throughout the ...
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... fact , the stage never really exists ( even when an architectural space is pre - designated as such ) until the performer creates it ; likewise , the play never really exists ( even when a dramatist has provided an a priori script ) ...
... fact , the stage never really exists ( even when an architectural space is pre - designated as such ) until the performer creates it ; likewise , the play never really exists ( even when a dramatist has provided an a priori script ) ...
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... fact , full of " footlights " that pop in and out of existence as the performative markers " actor " and " spectator " float from person to person in an ongoing performative conversation . Bakhtin's collective carnivalesque is very much ...
... fact , full of " footlights " that pop in and out of existence as the performative markers " actor " and " spectator " float from person to person in an ongoing performative conversation . Bakhtin's collective carnivalesque is very much ...
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... fact that it is fairly common knowledge ; rather , I retell it precisely because it is so well known . Over the course of many centuries , it has proven to be a powerfully seductive paradigm for explaining the emergence of all drama to ...
... fact that it is fairly common knowledge ; rather , I retell it precisely because it is so well known . Over the course of many centuries , it has proven to be a powerfully seductive paradigm for explaining the emergence of all drama to ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words