Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
De dentro do livro
Resultados 1-5 de 69
Página xii
... Dialogue , Radical Theatricality , and Maese Pedro's Puppet Show , " in Cervantes 23.1 ( 2003 ) : 165-200 , The Cervantes Society of America . A portion of Chapter 5 was originally published as " Barbarians at the Gates : The Invasive ...
... Dialogue , Radical Theatricality , and Maese Pedro's Puppet Show , " in Cervantes 23.1 ( 2003 ) : 165-200 , The Cervantes Society of America . A portion of Chapter 5 was originally published as " Barbarians at the Gates : The Invasive ...
Página 7
... dialogue " between characters and / or actors ) . Because dramatic criticism has tradi- tionally required a written text as proof of object , it has left itself unprepared to deal with the clowns , mimes , acrobats , jug- glers ...
... dialogue " between characters and / or actors ) . Because dramatic criticism has tradi- tionally required a written text as proof of object , it has left itself unprepared to deal with the clowns , mimes , acrobats , jug- glers ...
Página 8
... dialogue between characters traditionally asso- ciated with drama — this book examines the performative poetics of the jongleuresque tradition ( broadly defined to en- compass such disparate performers as ancient Greek rhapsodes and ...
... dialogue between characters traditionally asso- ciated with drama — this book examines the performative poetics of the jongleuresque tradition ( broadly defined to en- compass such disparate performers as ancient Greek rhapsodes and ...
Página 9
... dialogue between literary characters — not to mention the con- comitant impersonation that underlies it — is nothing more than an enhancement of the performers ' discursive world , and that any exchange between two or more actors is ...
... dialogue between literary characters — not to mention the con- comitant impersonation that underlies it — is nothing more than an enhancement of the performers ' discursive world , and that any exchange between two or more actors is ...
Página 10
... dialogue ) is that for the first of each pairing the spectator is explicitly unaware of the performance as performance . The chapter then moves to an ex- amination of the work of Richard Tarlton , Flaminio Scala , and Lope de Rueda ...
... dialogue ) is that for the first of each pairing the spectator is explicitly unaware of the performance as performance . The chapter then moves to an ex- amination of the work of Richard Tarlton , Flaminio Scala , and Lope de Rueda ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words