Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
De dentro do livro
Resultados 1-5 de 39
Página 8
... demonstrates that the Thespis myth problematically forces us to consider medieval performance— especially non - ritual performance — as something peculiar , something pre - theatrical , something awkwardly quasi - literary , while ...
... demonstrates that the Thespis myth problematically forces us to consider medieval performance— especially non - ritual performance — as something peculiar , something pre - theatrical , something awkwardly quasi - literary , while ...
Página 11
... Rueda's pasos and argues that Timoneda's conspicuous vacillation between " writerly " and what might be called " actorly " approaches to dramatic text demonstrates a profound ambivalence toward the very nature 11 Introduction.
... Rueda's pasos and argues that Timoneda's conspicuous vacillation between " writerly " and what might be called " actorly " approaches to dramatic text demonstrates a profound ambivalence toward the very nature 11 Introduction.
Página 12
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. dramatic text demonstrates a profound ambivalence toward the very nature of theater itself . Finally , this chapter turns to a close reading of Lope de Vega's Arte ...
Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham. dramatic text demonstrates a profound ambivalence toward the very nature of theater itself . Finally , this chapter turns to a close reading of Lope de Vega's Arte ...
Página 18
... demonstrates — more than that of any other Western European country — the need for a nontraditional ap- proach to theater and performance history . Spanish Renaissance drama , whose rhetorical exuberance is at least partially ...
... demonstrates — more than that of any other Western European country — the need for a nontraditional ap- proach to theater and performance history . Spanish Renaissance drama , whose rhetorical exuberance is at least partially ...
Página 25
... demonstrating that the essence of the- ater is , on the one hand , far simpler than the elaborate textual and architectural structures we have traditionally built around it , while showing , on the other hand , that the complexities of ...
... demonstrating that the essence of the- ater is , on the one hand , far simpler than the elaborate textual and architectural structures we have traditionally built around it , while showing , on the other hand , that the complexities of ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
Outras edições - Ver todos
Termos e frases comuns
actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words