Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 2
... create a field that has come to be known as performance theory . Borrowing tools from anthropology , soci- ology , and linguistics ( including speech - act theory ) , writers such as Peter Brook , Jerzy Grotowski , Richard Schechner ...
... create a field that has come to be known as performance theory . Borrowing tools from anthropology , soci- ology , and linguistics ( including speech - act theory ) , writers such as Peter Brook , Jerzy Grotowski , Richard Schechner ...
Página 4
... create a broader contextualization of medieval and early modern Spanish the- ater . Through a synchronic and diachronic exploration that de- liberately situates the comedia not only within the context of the early modern theater of ...
... create a broader contextualization of medieval and early modern Spanish the- ater . Through a synchronic and diachronic exploration that de- liberately situates the comedia not only within the context of the early modern theater of ...
Página 5
... creates it ; likewise , the play never really exists ( even when a dramatist has provided an a priori script ) until the performance articulates it . Much more crucial than any hypothetical response by a hypothetical reader is the 5 ...
... creates it ; likewise , the play never really exists ( even when a dramatist has provided an a priori script ) until the performance articulates it . Much more crucial than any hypothetical response by a hypothetical reader is the 5 ...
Página 10
... creates a deliber- ate microcosm of the early Spanish stage — incorporating story- tellers , jongleurs , mountebanks , trained animals , singers of tales , and puppeteers within a performance that gets progres- sively complex — Chapter ...
... creates a deliber- ate microcosm of the early Spanish stage — incorporating story- tellers , jongleurs , mountebanks , trained animals , singers of tales , and puppeteers within a performance that gets progres- sively complex — Chapter ...
Página 11
... created by such playwrights as Encina , Lope de Vega , Juan Ruiz de Alarcon , Calderon , and Sor Juana Ines de la Cruz ( all of whom form part of a pan - European tradition that also includes such playwrights as Shakespeare , Moliere ...
... created by such playwrights as Encina , Lope de Vega , Juan Ruiz de Alarcon , Calderon , and Sor Juana Ines de la Cruz ( all of whom form part of a pan - European tradition that also includes such playwrights as Shakespeare , Moliere ...
Conteúdo
13 | |
50 | |
Picaresque Actors and Their Theater | 90 |
Corralling the Jongleuresque | 132 |
Playwrights and the Actorly Text | 171 |
Conclusion | 215 |
Notes | 221 |
Bibliography | 231 |
Index | 247 |
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actors ancient argues Arte nuevo ater audience Bakhtin ballad become cantares de gesta carnival carnivalesque Cervantes Cervantes's chapter character dialogue City Dionysia classical comedia commedia dell'arte corral course create critical culture demonstrates Don Quijote Don Quixote dramatists early modern Spanish early Spanish stage Encina entremeses epic exist fact films formance function Hespèrion XX Huston inscribed jongleur jongleuresque performance juglares kind literary text liturgical drama Lope de Rueda Lope de Vega Lope's Madrid Maese Pedro mance medieval jongleuresque tradition medieval performance Menéndez Pidal narrative narrator notes oral original performance event performance space performance text performance tradition picaresque pícaro play players playwrights Poesía poetics popular precisely prologue puppet show Quijote radical theatricality Renaissance ritual romance Romancero Rueda Scala's Schechner scholars Shakespeare simple stage sing singer singer of tales song Spain Spanish theater specific spectacle story teatro textual Thespis myth Timoneda tion villancico voice Waverly Consort Western words