Charmides. Lysis. Laches. Protagoras. Euthydemus. Cratylus. Phaedrus. Ion. SymposiumOxford University Press, 1892 |
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Charmides. Lysis. Laches. Protagoras. Euthydemus. Cratylus. Phaedrus. Ion ... Plato Visualização completa - 1892 |
Charmides. Lysis. Laches. Protagoras. Euthydemus. Cratylus. Phaedrus. Ion ... Plato Visualização completa - 1892 |
Charmides. Lysis. Laches. Protagoras. Euthydemus. Cratylus. Phaedrus. Ion ... Plato Visualização completa - 1892 |
Termos e frases comuns
admit Agathon agree Alcibiades ANALYSIS ancient answer appear argument Aristodemus Aristophanes assented Athenian beauty beginning beloved better called Callias Certainly character Charmides Cleinias courage Crat Cratylus Critias Crito Ctesippus desire Dialogue Dionysodorus discourse divine enquiry Eryximachus Euthyde Euthydemus evil expression fancy father friendship GENES give gods Greek hear Heracleitus HERMO Hermogenes Hesiod Hippias Homer honour human ideas ignorant imagine imitation inspired INTRODUC justice knowledge Laches language lover Lysias Lysimachus Lysis manner matter meaning Menexenus mind names nature never Nicias noble non-lover notion opinion Pausanias person Phaedrus philosophy physician Plato pleasure poets posium praise principle Prodicus Protagoras question reason replied rhapsode rhetoric sense Simonides Socrates Sophists sort soul speak speech suppose tell temperance things thought TION true truth virtue wisdom wise words writing youth Zeus
Passagens mais conhecidas
Página 410 - Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Página 534 - For this cause shall a man leave his father and mother, and shall be joined unto his wife, and they two shall be one flesh. This is a great mystery: but I speak concerning Christ and the church.
Página 584 - Remember how in that communion only, beholding beauty with the eye of the mind, he will be enabled to bring forth, not images of beauty, but realities (for he has hold not of an image but of a reality), and bringing forth and nourishing true virtue to become the friend of God and be immortal, if mortal man may. Would that be an ignoble life?
Página 504 - For all good poets, epic as well as lyric, compose their beautiful poems not by art, but because they are inspired and possessed. And as the Corybantian* revellers when they dance are not in their right mind...
Página 453 - Muses' madness in his soul, comes to the door and thinks that he will get into the temple by the help of art — he, I say, and his poetry are not admitted; the sane man disappears and is nowhere when he enters into rivalry with the madman.
Página 491 - Beloved Pan, and all ye other gods who haunt this place, give me beauty in the inward soul; and may the outward and inward man be at one. May I reckon the wise to be the wealthy, and may I have such a quantity of gold as a temperate man and he only can bear and carry.
Página 583 - ... absolute, separate, simple, and everlasting, which without diminution and without increase, or any change, is imparted to the ever-growing and perishing beauties of all other things.
Página 582 - For he who would proceed aright in this matter should begin in youth to visit beautiful forms; and first, if he be guided by his instructor aright, to love one such form only — out of that he should create fair thoughts; and soon he will of himself perceive that the beauty of one form is akin to the beauty of another; and then if beauty of form in general is his...
Página 582 - ... the beauty in every form is one and the same! And when he perceives this he will abate his violent love of the one, which he will despise and deem a small thing, and will become a lover of all beautiful forms; in the next stage he will consider that the beauty of the mind is more honourable than the beauty of the outward form.
Página 561 - Androgynous" is only preserved as a term of reproach. In the second place, the primeval man was round, his back and sides forming a circle; and he had four hands and four feet, one head with two faces, looking opposite ways, set on a round neck and precisely alike; also four ears, two privy members, and the remainder to correspond.