The History of Fiction: Being a Critical Account of the Most Celebrated Prose Works of Fiction, from the Earliest Greek Romances to the Novels of the Present Age, Volume 1J. Ballentyne and Company, 1814 - 508 páginas |
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Página 43
... believed that he had studied its beauties , and transferred them to his eclogues . Theocritus was imitated in his own dia- lect by Moschus and Bion ; and Virgil , taking ad- vantage of a different language , copied yet rival- led GREEK ...
... believed that he had studied its beauties , and transferred them to his eclogues . Theocritus was imitated in his own dia- lect by Moschus and Bion ; and Virgil , taking ad- vantage of a different language , copied yet rival- led GREEK ...
Página 63
... believed dead . This incident is one of the worst imagined to be met with in any of the Greek romances . It leaves such an impres- sion of the brutality of the principal character , that we are not reconciled to him by all his ...
... believed dead . This incident is one of the worst imagined to be met with in any of the Greek romances . It leaves such an impres- sion of the brutality of the principal character , that we are not reconciled to him by all his ...
Página 119
... believed that a deliverance from a living death of brutality and vice , and a return to a new existence of virtue and happiness , which is the principal subject of the work , might be effect- ed by initiation into the mysteries ...
... believed that a deliverance from a living death of brutality and vice , and a return to a new existence of virtue and happiness , which is the principal subject of the work , might be effect- ed by initiation into the mysteries ...
Página 132
... believed in the existence of giants and dwarfs , in spells and enchantments . These be- came the ornaments of their works of imagination , and they also invented combats with dragons and monsters , and related stories of the adventures ...
... believed in the existence of giants and dwarfs , in spells and enchantments . These be- came the ornaments of their works of imagination , and they also invented combats with dragons and monsters , and related stories of the adventures ...
Página 139
... believed that the ma- chinery of romance had its birth in a country , which , on the most favourable supposition , can only be regarded as a link in the chain of fiction , and far less that this pitiful kingdom was the only ORIGIN OF ...
... believed that the ma- chinery of romance had its birth in a country , which , on the most favourable supposition , can only be regarded as a link in the chain of fiction , and far less that this pitiful kingdom was the only ORIGIN OF ...
Outras edições - Ver todos
The History of Fiction: Being a Critical Account of the Most ..., Volume 1 John Colin Dunlop Visualização completa - 1816 |
The History of Fiction: Being a Critical Account of the Most ..., Volume 1 John Colin Dunlop Visualização completa - 1816 |
The History of Fiction: Being a Critical Account of the Most Celebrated ... John Colin Dunlop Visualização completa - 1816 |
Termos e frases comuns
adventures afterwards appear Apuleius Armorica army arrived avoit Barlaam beautiful bien Britany brother Calasiris Callirhoe castle celebrated century character Charlemagne Charles Chevalier chivalry Christian chronicle Clitophon combat composition Cornwall court of Arthur cueur damsel Daphnis and Chloe daughter death delightful enamoured enchanted Esclarmonde estoit exploits fables fabulous fairy father fiction forest France French Gaddiffer Geneura Geoffrey Geoffrey of Monmouth giants Greek romances Gyron Heliodorus hero Huon husband imitated incidents informs Isaie Ismene Ismenias Josaphat king knights lady Lancelot du Lac length Leucippe lovers mance manners Meliadus ment Merlin metrical romances mistress monarch Ogier origin Orlando palace Perceforest Perceval Photius prince princess pucelle qu'il queen reign romances of chivalry Round Table Roy Artus Sangreal Saracens seneschal species story Tatius Theagenes Theagenes and Chariclea tion tournaments Tristan Tristan and Yseult Turpin Ulsius written Yguerne Yseult
Passagens mais conhecidas
Página 89 - Drink to me only with thine eyes, And I will pledge with mine; Or leave a kiss but in the cup And I'll not look for wine. The thirst that from the soul doth rise Doth ask a drink divine; But might I of Jove's nectar sup, I would not change for thine.
Página viii - And as real history gives us not the success of things according to the deserts of vice and virtue, Fiction corrects it, and presents us with the fates and fortunes of persons rewarded or punished according to merit.
Página 234 - And ay they grew, and ay they threw, As they wad faine be neare ; And by this ye may ken right weil They were twa luvers deare.
Página 212 - Lionnesse there was, these proofs are yet remaining. ' The space between the Land's End and the Isles of ' Scilley, being about thirtie miles, to this day re...
Página viii - Divine nature, as it raises the mind, by accommodating the images of things to our desires, and not, like history and reason, subjecting the mind to things.
Página 45 - Dryas, their reputed fathers, had corresponding dreams on the same night. The Nymphs of the cave in which Chloe had been discovered appear to each of the old shepherds, delivering Daphnis and Chloe to a winged boy, with a bow and arrows, who commands that Daphnis should be sent to keep goats, and the girl to tend the sheep. Daphnis and Chloe have not long entered on their new employments, which they exercise with a care of their flocks increased by a knowledge of the circumstances of their infancy,...
Página 144 - Tuscany : several fine copies of verses were wrote on so rare a subject ; but at last Mr Bobart owned the cheat ; however, it was looked upon as a masterpiece of art, and, as such, deposited in the Museum, or Anatomy School, where I saw it some years after.
Página xii - The rude are refined by an introduction, as it were, to the higher orders of mankind, and even the dissipated and selfish are, in some degree, corrected by those paintings of virtue and simple nature, which must ever be employed by the novelist, if he wish to awaken emotion or delight.