Abbildungen der Seite
PDF
EPUB
[blocks in formation]

I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I wind about, and in and out, With here a blossom sailing, And here and there a lusty trout, And here and there a grayling,

And here and there a foamy flake
Upon me, as I travel
With many a silver waterbreak
Above the golden gravel,

And draw them all along, and flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance, Among my skimming swallows; I make the netted sunbeam dance Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow

To join the brimming river, For men may come and men may go, But I go on forever.

TURN, FORTUNE, TURN THY
WHEEL.

[Idyls of the King: Enid.]
"TURN, Fortune, turn thy wheel and
lower the proud:

Turn thy wild wheel thro' sunshine, storm, and cloud;

Thy wheel and thee we neither love nor hate.

[blocks in formation]

IN LOVE, IF LOVE BE LOVE. [Idyls of the King: Vivien,]

"IN Love, if Love be Love, if Love be ours,

Faith and unfaith can ne'er be equal powers:

Unfaith in aught is want of faith in all.

"It is the little rift within the lute, That by and by will make the music mute, And ever widening slowly silence all.

"The little rift within the lover's lute, Or little pitted speck in garner'd fruit, That rotting inward slowly moulders all.

"It is not worth the keeping: let it go: But shall it? answer, darling, answer, no. And trust me not at all or all in all,"

SWEET IS TRUE LOVE. [Idyls of the King: Elaine.] "SWEET is true love, tho' given in vain, in vain;

And sweet is death who puts an end to pain:

I know not which is sweeter, no, not I.

[blocks in formation]

Until it came a kingdom's curse with thee

I cannot touch thy lips, they are not mine,

But Lancelot's: nay, they never were the King's.

I cannot take thy hand; that too is flesh, And in the flesh thou hast sinn'd; and mine own flesh,

Here looking down on thine polluted, cries

'I loathe thee '; yet not less, O Guinevere,

For I was ever virgin save for thee, My love thro' flesh hath wrought into my life

So far, that my doom is, I love thee still.

Let no man dream but that I love thee still.

Perchance, and so thou purify thy soul, And so thou lean on our fair father Christ,

Hereafter in that world where all are pure

We two may meet before high God, and thou

Wilt spring to me, and claim me thine,

and know

I am thine husband-not a smaller soul, Nor Lancelot, nor another. Leave me that,

I charge thee, my last hope. Now must I hence.

Thro' the thick night I hear the trumpet blow:

They summon me their King to lead mine hosts

Far down to that great battle in the west, Where I must strike against my sister's son,

Leagued with the lords of the White
Horse and knights
Once mine, and strike him dead, and
meet myself

Death, or I know not what mysterious doom.

And thou remaining here wilt learn the event;

But hither shall I never come again, Never lie by thy side, see thee no more, Farewell!"

WHAT DOES LITTLE BIRDIE
SAY?

[Sea Dreams.]

WHAT does little birdie say
In her nest at peep of day?
Let me fly, says little birdie,
Mother, let me fly away.
Birdie, rest a little longer,
Till the little wings are stronger.
So she rests a little longer,
Then she flies away.
What does little baby say,
In her bed at peep of day?
Baby says, like little birdie,
Let me rise and fly away.
Baby, sleep a little longer,
Till the little limbs are stronger.
If she sleeps a little longer,
Baby too shall fly away.

THE SAILOR-BOY.

He rose at dawn, and, fired with hope,
Shot o'er the seething harbor-bar,
And reach'd the ship and caught the

rope,

And whistled to the morning star.

[blocks in formation]

WILLIAM MAKEPEACE THACKERAY.

1811-1863.

[BORN at Calcutta, India, in 1811. Son of a gentleman in the civil service of the East India Company; came to England in 1818. Educated at the Charter House School, London, and at Trinity College, Cambridge, but left without taking a degree. Travelled and studied in the continent with a view to becoming a painter. In 1838 became a correspondent of the Times, and adopted literature as a profession, in which he became very successful, and in popular estimation a rival of Dickens for the first place in modern English fiction. He also studied law and was admitted to the bar in 1848, but never practiced. He founded the Cornhill Magazine, 1859. Died at Kensington Palace Gardens, London, Dec. 24, 1863.]

THE END OF THE PLAY.

THE play is done, -the curtain drops,
Slow falling to the prompter's bell;
A moment yet the actor stops,

And looks around, to say farewell.

It is an irksome word and task;
And,when he's laughed and said hissay,
He shows, as he removes the mask,
A face that's anything but gay.

One word, ere yet the evening ends,-
Let's close it with a parting rhyme;
And pledge a hand to all young friends,
As flits the merry Christmas time;
On life's wide scene you, too, have
parts

That fate erelong shall bid you play; Good night!with honest, gentle hearts

A kindly greeting go alway!

Good night!-I'd say the griefs, the joys,

Just hinted in this mimic page, The triumphs and defeats of boys,

Are but repeated in our age; I'd say your woes were not less keen, Your hopes more vain, than those of

men,

Your pangs or pleasures of fifteen

At forty-five played o'er again.

I'd say we suffer and we strive

Not less nor more as men than boys,

[ocr errors]

With grizzled beards at forty-five,
As erst at twelve in corduroys;
And if, in time of sacred youth,

We learned at home to love and
pray,

Pray Heaven that early love and truth May never wholly pass away.

And in the world, as in the school,

I'd say how fate may change and
shift,-

The prize be sometimes with the fool,
The race not always to the swift:
The strong may yield, the good may
fall,

The great man be a vulgar clown,
The knave be lifted over all,

The kind cast pitilessly down.

Who knows the inscrutable design?

Blessed be He who took and gave! Why should your mother, Charles, not mine,

Be weeping at her darling's grave? We bow to Heaven that willed it so, That darkly rules the fate of all, That sends the respite or the blow, That's free to give or to recall.

[merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][merged small][merged small]
« ZurückWeiter »