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To-morrow's cares shall bring to sight, Go sleep like closing flowers at night, And Heaven thy morn will bless."

ALL SAINTS' DAY.

WHY blow'st thou not, thou wintry wind,

Now every leaf is brown and sere, And idly droops, to thee resigned,

The fading chaplet of the year? Yet wears the pure aërial sky Her summer veil, half drawn on high, Of silvery haze, and dark and still The shadows sleep on every slanting

hill.

How quiet shows the woodland

scene!

Each flower and tree, its duty done, Reposing in decay serene,

Like weary men when age is won, Such calm old age as conscience pure And self-commanding hearts ensure, Waiting their summons to the sky, Content to live, but not afraid to die.

Sure if our eyes were purged to trace God's unseen armies hovering round,

We should behold by angels' grace

The four strong winds of Heaven fast bound, Their downward sweep a moment stayed

On ocean cove and forest glade,

Till the last flower of autumn shed Her funeral odors on her dying bed.

So in Thine awful armory, Lord,

The lightnings of the judgment-day Pause yet awhile, in mercy stored,

Till willing hearts wear quite away Their earthly stains; and spotless shine

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PERCY BYSSHE SHELLEY.

1792-1822.

[PERCY BYSSHE SHELLEY, eldest son of Timothy Shelley (afterwards Sir Timothy Shelley, Bart.), was born at Field Place, near Horsham in Sussex, August 4, 1792. He was educated at Eton and at University College, Oxford; but was expelled from Oxford in 1811 on account of his authorship of a tract on The Necessity of Atheism. In the same year he married Harriet Westbrook, a girl of sixteen, daughter of a coffee-house keeper, but separated from her in 1814. His intimacy with Mary Godwin, daughter of William Godwin, author of Political Justice, and of Mary Wollstonecraft, led to a marriage with her after his first wife's death in 1816. In 1817 he was deprived by Lord Eldon of the custody of his children by his first marriage, and in 1818 he left England for Italy, in which country he resided, mainly at Naples, Leghorn, and Pisa, till his death by drowning in the Gulf of Spezia, July 8, 1822. Queen Mab, his first work of any note, was privately printed in 1813; Alastor was published in 1816; and Laon and Cythna, published and withdrawn in 1817, was reissued as The Revolt of Islam in 1818. The Cenci and Prometheus Unbound were both published in 1820. Epipsychidion was printed, and Adonais published in 1821, and the list is ended by Hellas published in 1822,- -the year of the poet's untimely death.]

IANTHE SLEEPING.
[Queen Mab.]

How wonderful is Death,
Death and his brother, Sleep!
One, pale as yonder waning moon,
With lips of lurid blue;
The other, rosy as the morn
When throned on ocean's wave,
It blushes o'er the world:
Yet both so passing wonderful!

Hath then the gloomy Power Whose reign is in the tainted sepulchres

Seized on her sinless soul;
Must then that peerless form
Which love and admiration cannot
view

Without a beating heart, those azure
veins

Which steal like streams along a field

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Will Ianthe wake again,

And give that faithful bosom joy Whose sleepless spirit waits to catch Light, life, and rapture, from her smile?

THE FAIRY AND IANTHE'S
SOUL.
[Queen Mab.]

STARS! your balmiest influence
shed!

Elements! your wrath suspend!
Sleep, Ocean, in the rocky bounds
That circle thy domain !

Let not a breath be seen to stir
Around yon grass-grown ruin's height,
Let even the restless gossamer
Sleep on the moveless air!
Soul of Ianthe! thou,
Judged alone worthy of the envied

boon

That waits the good and the sincere;
that waits

Those who have struggled, and with
resolute will
Vanquished earth's pride and meanness
burst the chains,

The icy chains of custom, and have
shone

The day-stars of their age; -Soul of
Ianthe!

Awake! arise!

Sudden arose

Ianthe's Soul; it stood

All beautiful in naked purity, The perfect semblance of its bodily frame.

Instinct with inexpressible beauty and grace,

Each stain of earthliness
Had passed away, it reassumed
Its native dignity, and stood
Immortal amid ruin.

Upon the couch the body lay,
Wrapt in the depth of slumber :
Its features were fixed and meaningless,
Yet animal life was there,

And every organ yet performed
Its natural functions; 'twas a sight
Of wonder to behold the body and
soul.

The self-same lineaments, the

same

Marks of identity were there; Yet, oh how different! One aspires to heaven,

Pants for its sempiternal heritage,
And ever-changing, ever-rising still,
Wantons in endless being.
The other, for a time the unwilling
sport

Of circumstance and passion, struggles on;

Fleets through its sad duration rapidly;

Then like a useless and worn-out machine,

Rots, perishes, and passes.

TO THE NIGHT.

SWIFTLY walk over the western wave,
Spirit of Night!

Out of the misty eastern cave
Where all the long and lone daylight
Thou wovest dreams of joy and fear
Which make thee terrible and dear, -
Swift be thy flight!

Wrap thy form in a mantle gray
Star-inwrought!
Blind with thine hair the eyes of day,

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When light rode high, and the dew was gone,

And noon lay heavy on flower and tree,
And the weary Day turn'd to his rest
Lingering like an unloved guest,
I sigh'd for thee!

Thy brother Death came, and cried
Wouldst thou me?
Thy sweet child Sleep, the filmy-eyed,
Murmur'd like a noon-tide bee
Shall I nestle near thy side?
Wouldst thou me?- - And I replied
No, not thee!

Death will come when thou art dead,
Soon, too soon-

Sleep will come when thou art fled;
Of neither would I ask the boon
I ask of thee, belovéd Night -
Swift be thine approaching flight,
Come soon, soon!

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