My thoughtless youth was winged with vain desires; My manhood, long misled by wandering fires, Followed false lights; and when their glimpse was gone, My pride struck out new sparkles of her Themselves they could not cure of the dishonest sore. “Thus one, thus pure, behold her largely spread, Like the fair ocean from her mother-bed; From east to west triumphantly she rides, All shores are watered by her wealthy tides. The gospel-sound, diffused from pole to pole, Where winds can carry and where waves can roll, The self-same doctrine of the sacred page Conveyed to every clime, in every age. own. Such was I, such by nature still I am; Be Thine the glory and be mine the shame! THE UNITY OF THE CATHOLIC CHURCH. [From The Hind and the Panther, Part II.] “ONE in herself, not rent by schism, but sound, Entire, one solid shining diamond, Not sparkles shattered into sects like you: One is the Church, and must be to be true, One central principle of unity; As undivided, so from errors free; •As one in faith, so one in sanctity. Thus she, and none but she, the insult ing rage Of heretics opposed from age to age; Still when the giant-brood invades her throne, She stoops from heaven and meets them half way down, And with paternal thunder vindicates her crown. But like Egyptian sorcerers you stand, And vainly lift aloft your magic wand To sweep away the swarms of vermin from the land. You could like them, with like infernal force, Produce the plague, but not arrest the course. But when the boils and botches with disgrace And public scandal sat upon the face, Themselves attacked, the Magi strove no more, They saw God's finger, and their fate deplore, A SONG FOR ST. CECILIA'S DAY, NOVEMBER 22, 1687. From harmony, from heavenly harmony This universal frame began; Of jarring atoms lay, Arise, ye more than dead. Then cold and hot and moist and dry In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot Music raise and quell? When Jubal struck the chorded shell, His listening brethren stood around, And, wondering, on their faces feli could not dwell That spoke so sweetly and so well. What passion cannot Music raise and quell? Excites us to arms Aloft in awful state On his imperial throne : around; Their brows with roses and with myrtle bound, (So should desert in arms be crown'd): Happy, happy, happy pair ! With shrill notes of anger And mortal alarms. Of the thundering drum Cries, hark! the foes come; Charge, charge, 'tis too late to retreat. The soft complaining flute The woes of hopeless lovers, Whose dirge is whispered by the warb ling lute. For the fair, disdainful dame. The sacred organ's praise ? Notes inspiring holy love, Notes that wing their heavenly ways To mend the choirs above. Orpheus could lead the savage race, And trees uprooted left their place, Sequacious of the lyre; But bright Cecilia raised the wonder higher : When to her organ vocal breath was given, An angel heard, and straight appeared, Mistaking earth for heaven. · Grand Chorus. The spheres began to move, To all the blessed above; Timotheus, placed on high Amid the tuneful choir, With flying fingers touch'd the lyre : The trembling notes ascend the sky, And heavenly joys inspire. The song began from Jove, Who left his blissful seats above (Such is the power of mighty Love !). A dragon's fiery form belied the god, Sublime on radiant spheres he rode, When he to fair Olympia press’d, And stamp'd an image of himself, a sovereign of the world. The listening crowd admire the lofty sound, A present deity! they shout around: A present deity! the vaulted roofs rebound : With ravish'd ears Affects to nod, musician sung: The jolly god in triumph comes; Flush'd with a purple grace, He shows his honest face; Now give the hautboys breath: he comes! he comes ! Bacchus, ever fair and young, Drinking joys did first ordain; ALEXANDER'S FEAST; OR, THE POWER OF MUSIC. AN ODE IN HONOR OF ST. CECILIA's DAY, 1697. 'Twas at the royal feast for Persia won By Philip's warlike son: Bacchus' blessings are a treasure, Drinking is the soldier's pleasure: Rich the treasure, Sweet the pleasure; Sweet is pleasure after pain. The many rend the skies with loud ap plause; So love was crown'd, but music won the cause. oppressid, Soothed with the sound, the king grew vain; Fought all his battles o'er again; And thrice he routed all his foes, and thrice he slew the slain. defied, pride. By too severe a fate, And weltering in his blood; With not a friend to close his eyes. With downcast looks the joyless victor sate, Revolving in his alter'd soul, The various turns of chance be low; And now and then a sigh he stole, And tears began to flow. The prince, unable to conceal his pain, Gazed on the fair, Who caused his care, look'd, breast. thunder. Has raised up his head! As awaked from the dead, And amazed, he stares around. Revenge! revenge! Timotheus cries, See the Furies arise; How they hiss in their hair, eyes ! Each a torch in his hand ! were slain, And unburied remain To the valiant crew! high, How they point to the Persian abodes, And glittering temples of their hostile The mighty master smiled to see Softly sweet, in Lydian measures, gods! ures. War, he sung, is toil and trouble; Never ending, still beginning, If the world be worth thy winning, Think, O think it worth enjoying ! Lovely Thaïs sits beside thee, thee! The princes applaud with a furious joy; And the king seized a flambeau with zeal to destroy ; Thaïs led the way, To light him to his prey, Thus, long ago, And from the dregs of life think to re ceive What the first sprightly running could not give. While organs yet were mute; And sounding lyre, soft desire. Inventress of the vocal frame; store, Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts un known before. Or both divide the crown; She drew an angel down. VENI CREATOR SPIRITUS.1 MANKIND. [From All for Love, Act IV.] MEN are but children of a larger growth; Our appetites as apt to change as theirs, And full as craving too, and full as vain; And yet the soul shut up in her dark room, Viewing so clear abroad, at home sees nothing; But, like a mole in earth, busy and blind, Works all her folly up, and casts it out ward To the world's open view. CREATOR Spirit, by whose aid command; down. HUMAN LIFE. [From Aureng Zebe, Act IV.] WHEN I consider life, 'tis all a cheat; Yet, fool'd with hope, men favor the deceit; Trust on, and think to-morrow will re pay : To-morrow's falser than the former day; Lies worse; and while it says we shall be blest With some new joys, cuts off what we possessed. Strange cozenage! None would live past years again; Yet all hope pleasure in what yet re main; Chase from our minds the infernal foe, 1 This paraphrase of the Latin hymn, popularly attributed to Charlemagne, was first printed in Tonson's folio edition of Dryden's Poems, 1701. Immortal honor, endless fame, FREEDOM OF THE SAVAGE. (From The Conquest of Granada, Part I.] No man has more contempt than I of breath, But whence hast thou the right to give me death? I am as free as Nature first made man, Ere the base laws of servitude began, When wild in woods the noble savage their ears, ran. UNDER MILTON'S PICTURE. THREE Poets, in three distant ages born, Greece, Italy, and England did adorn. The first, in loftiness of thought sur pass’d; The next, in majesty; in both, the last. The force of Nature could no further go; To make a third, she join'd the former two. And made almost a sin of abstinence. Yet, had his aspect nothing of severe, But such a face as promis’d him sincere, Nothing reserved or sullen was to see: But sweet regards, and pleasing sanctity: Mild was his accent, and his action free. With eloquence innate his tongue was arm’d; Though harsh the precept, yet the people charm'd. For, letting down the golden chain from high, He drew his audience upward to the sky: And oft with holy hymns he charm’d (A music more melodious than the spheres :) For David left him, when he went to rest, His lyre; and after him he sung the best. He bore his great commission in his look: But sweetly tempered awe; and soften'd all he spoke. He preach'd the joys of heaven, and pains of hell, And warn’d the sinner with becoming zeal; But, on eternal mercy loved to dwell. He taught the gospel rather than the law; And forced himself to drive; but loved to draw. For fear but freezes minds : but love, like heat, Exhales the soul sublime, to seek her native seat. To threats the stubborn sinner oft is hard, Wrapp'd in his crimes, against the storm prepared; But, when the milder beams of mercy play, He melts, and throws his cumbrous cloak away. Lightning and thunder (heaven's ar. tillery) As harbingers before th' Almighty fly: Those but proclaim his style, and dis appear; The stiller sounds succeed, and God is there. THE CHARACTER OF A GOOD PARSON. A PARISH priest was of the pilgrim train; An awful, reverend, and religious man. His eyes diffused a venerable grace, And charity itself was in his face. Rich was his soul, though his attire was poor (As God hath clothed his own ambas sador); For such, on earth, his bless'd Redeemer bore. Of sixty years he seem'd; and well might last To sixty more, but that he lived too fast; Kefined himself to soul, to curb the sense; |