D. H. Lawrence in Italy and EnglandGeorge Donaldson, Mara Kalnins Springer, 12 de fev. de 1999 - 233 páginas The critical essays in this volume, by leading authorities on D. H. Lawrence, focus on the importance of Italy and England in Lawrence's work and life. They span the years of his creative maturity from 1915 - which witnessed the important visit to Cambridge, the revisions to Twilight in Italy and the banning of The Rainbow - to 1926, the year in which he began research for the pieces that became Etruscan Places . |
Conteúdo
Reappraising the PostWar Lawrence | 10 |
Lawrence Wittgenstein | 20 |
Strangeness in D H Lawrence | 38 |
Unestablished Balance in Women in Love | 52 |
2888 | 63 |
Petites misères | 77 |
Play and Carnival in Sea and Sardinia | 97 |
Inexplicable or Psychopathic? | 116 |
Lawrence and Modernism | 135 |
Lawrence Gertler | 193 |
Lost Heroines Irrecoverable | 211 |
228 | |
230 | |
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Aaron's Rod Alvina artist become believe Birkin called Cambridge carving chapter Ciccio consciousness context creative criticism D. H. Lawrence dance David David Garnett death encounter England English episode essay Etruscan Places experience feel fiction final Florence Frieda Gerald Gertler Gertler's painting Gudrun Hardy Hermione Howard Mills human Ibid idea imagination Italian James John Worthen Katherine Katherine Mansfield Keynes Kinkead-Weekes knew Lady Chatterley's Lover language later Leavis living looking Lost Girl marionette meaning metaphysic Miss Pinnegar modern Modernist Murry Murry's myth narrative never novel Ottoline perhaps philosophical phrase Picinisco play poem question Rainbow reader recognise rejection relationship reveals robbed Russell Sea and Sardinia seems sense sexual social Sons and Lovers spirit strangeness suggests symbolic talk things thought tion tombs turning Twilight in Italy Unconscious Ursula Wittgenstein woman Women in Love word world view writing wrote