...after he came to London1, the writer thinks it worth while to remark that, " When three or four are on the stage with him, he is attentive to whatever is...character when he has finished a speech, by either looking contemptibly on an inferior performer, unnecessary spitting, or suffering his eyes to wander thro'...

...which he is neither strutting nor mincing, neither stiff nor slouching. When three or four four are on the stage with him he is attentive to whatever is...superfluous, awkward, or too frequently repeated, hnt graceful, decent, and becoming.' This is invaluable, both as showing what Garrick was, and what...

...strutting nor mincing, neither stiff nor slouching. When throe or four are on the stage with him lie is attentive to whatever is spoke, and never drops...superfluous, awkward, or too frequently repeated, Imt graceful, decent, and becoming.' This is invaluable, both as showing- what Garrick was, and what...

...strutting nor mincing, neither stiff nor slouching. When three or four are on the stage with him he it attentive to whatever is spoke, and never drops his...to wander through the whole circle of spectators. Ilis action is never superfluous, awkward, or too frequently repeated, but graceful, decent, and be-...

...strutting nor mincing, neither stiff nor slouching. 'When three or four are on the stage with him he it attentive to whatever is spoke, and never drops his...performer, unnecessary spitting, or suffering his *ye» to wander through the whole circle of spectators. His action is never superfluous, awkward, or...

...in which he is neither strutting nor mincing, neither stiff nor slouching. When three or four are on the stage with him he is. attentive to whatever is...contemptuously on an inferior performer, unnecessary spitting, o» suffering his eyes to wander through the whole circle of spectators. His action is never superfluous,...

...in which he is neither strutting nor mincing, neither stiff nor slouching. When three or four are on the stage with him, he is attentive to whatever is spoke, and never drops his characters when he has finished a speech by either looking contemptuously on an inferior performer,...

...in which he is neither strutting or mincing, neither stiff or slouching. When three or four are on the stage with him, he is attentive to whatever is...speech, by either looking contemptuously on an inferior person, unnecessary spitting (!), or suffering his eyes to wander through the whole circle of spectators....

...astonishment, "he is attentive to whatever is spoke, and never drops his character when he has finished his speech, by either looking contemptuously on an inferior...to wander through the whole circle of spectators." Here was indeed a Daniel come to judgment, if these virtues in Garrick attest the vices of the older...

...in which he is neither strutting nor mincing, neither stiff nor slouching. When three or four are on the stage with him he is attentive to whatever is...and never drops his character when he has finished his speech by either looking contemptuously on an inferior performer, unnecessary spitting, or suffering...