Imagens da página

Youth, beauty, wisdom, courage," virtue, all:6 honor: ms.
That happiness and primer can happy call:
Thou this to hazard, needs must intimate
Skill infinite, or monstrous desperate.
Sweet practiser, thy physick I will try;
That ministers thine own death, if I die.

Hel. If I break time, or flinch in property
Of what I spoke, unpitied let me die;
And well deserv'd: Not helping, death 's my fee;
But, if I help, what do you promise me?

King. Make thy demand.

But will you make it even?
King. Ay, by my sceptre, and my hopes of heaven.




in thee hath estimate ;] May be counted among the gifts enjoyed by thee. Fohnson.

6 Youth, beauty, wisdom, courage, virtue, all - ] The old copy omits virtue. It was supplied by Dr. Warburton, to remedy a defect in the measure. Steevens." honen" nis. fol.1832

prime —] Youth ; the spring or morning of life. Johnson. Should we not read--pride?' Dr. Johnson explains prime to mean youth; and indeed I do not see any other plausible inter. pretation that can be given of it. But how does that suit with the context ? “ You have all that is worth the name of life; youth, beauty, &c. all, That happiness and youth can happy call.”Happiness and pride may signify, I think, the pride of happiness; the proudest state of happiness. So, in The Second Part of Henry IV, Act III, sc. i, the voice and echo, is put for the voice of echo, or, the echoing voice. Tirwhitt.

I think, with Dr. Johnson, that prime is here used as a substantive, but that it means, that sprightly vigour which usually accompanies us in the prime of life. So, in Montaigne's Essaies, translated by Florio, 1603, B. II, ch. 6: “Many things seeme greater by imagination, than by 'effect. I have passed over a good part of my age in sound and perfect health. I say, not only sound, but blithe and wantonly-lustful. That state, full of lust, of prime and mirth, made me deeme the consideration of sicknesses so yrksome, that when I came to the experience of them, I have found their fits but weak." Malone.

in property - ] In property seems to be here used, with much laxity, for--in the due performance. In a subsequent passage it seems to mean either a thing possessed, or a subject discrimi. nated by peculiar qualities:

The property by what it is should go,

“ Not by the title.” Malone. 9 Ay, by my sceptre, and my hopes of heaven.] The old copy reads:


Hel. Then shalt thou give me, with thy kingly hand, What husband in thy power I will command: Exempted be from me the arrogance To choose from forth the royal blood of France; My low and humble name to propagate With any branch or image of thy state:1 But such a one, thy vassal, whom I know Is free for me to ask, thee to bestow.

King. Here is my hand; the premises observ'd, Thy will by my performance shall be serv'd; So make the choice of thy own time; for I, Thy resolv'd patient, on thee still rely. More should I question thee, and more I must; Though, more to know, could not be more to trust; From whence thou cam'st, how tended on,-But rest Unquestion’d welcome, and undoubted blest.Give me some help here, ho!-If thou proceed As high as word, my deed shall match thy deed.

[Flourish. Exeunt.

my hopes of help. Steevens. The King could have but a very slight hope of help from her, scarce enough to swear by: and therefore Helen might suspect be meant to equivocate with her. Besides, observe, the greatest part of the scene is strictly in rhyme: and there is no shadow of reason why it should be interrupted here. I rather imagine the poet wrote:

Ay, by my sceptre, and my hopes of heaven. Thirlby. 1 With any branch or image of thy state :] Shakspeare unquestionably wrote impage, grafting. Impe, a graff, or slip, or sucker: by which she means one of the sons of France. Caxton calls our Prince Arthur, that noble impe of fame. Warburton.

Image is surely the true reading, and may mean any representative of thine; i. e. any one who resembles you as being related to your family, or as a prince reflects any part of your state and majesty. There is no such word as impage; and, as Mr. M. Mason observes, were such a one coined, it would mean nothing but the art of grafting Mr. Henley adds, that branch refers to the collateral descendants of the royal blood, and image to the direct and immediate line. Steevens.

Our author again uses the word image in the same sense as here, in his Rape of Lucrece:

"O, from thy cheeks my image thou hast torn.” Malone.


Rousillon. A Room in the Countess's Palace.

Enter Countess and Clown. Count. Come on, sir; I shall now put you to the height of your breeding.

Clo. I will show myself highly fed, and lowly taught: I know my business is but to the court.

Count. To the court! why, what place make you special, when you put off that with such contempt? But to the court!

Clo. Truly, madam, if God have lent a man any manners, he may easily put it off at court: he that cannot make a leg, put off 's cap, kiss his hand, and say no. thing, has neither leg, hands, lip, nor cap: and indeed such a fellow, to say precisely, were not for the court: but, for me, I have an answer will serve all men.

Count. Marry, that's a bountiful answer, that fits all questions.

Clo. It is like a barber's chair, that fits all buttocks;2 the pin-buttock, the quatch-buttock, the brawn-buttock, or any buttock.

Count. Will your answer serve fit to all questions?

Clo. As fit as ten groats is for the hand of an attorney, as your French crown for your taffata punk, as Tib's rush for Tom's fore-finger, 3 as a pancake for Shrove

p. 666.

2 It is like a barber's chair, &c.] This expression is proverbial. See Ray's Proverbs, and Burton's Anat. of Melancholy, edit. 1632,

Again, in More Fools Yet, by R. S. a collection of Epigrams, 4to. 1610:

“ Moreover sattin sutes he doth compare
“ Unto the service of a barber's chayre;
“ As fit for every Jacke and journeyman,
“ As for a knight or worthy gentleman.” Steevens.

Tib’s rush, for Tom's fore-finger,] Tom is the man, and by Tib we are to understand the woman, and therefore, more properly we might read-Tom's rush for, &c. The allusion is to an ancient practice of marrying with a rush ring, as well in other countries as in England. Breval, in his Antiquities of Paris, mentions it as a kind of espousal used in France, by such persons as meant to live together in a state of concubi


tuesday, a morris for May-day, as the nail to his hole, the cuckold to his horn, as a scolding quean to a wrang

nage: but in England it was scarce ever practised except by designing men, for the purpose of corrupting those young women to whom they pretended love.

Richard Poore, bishop of Salisbury, in his Constitutions, anni, 1217, forbids the putting of rush rings, or any the like matter, on women's fingers, in order to the debauching them more readily: and he insinuates, as the reason for the prohibition, that there were some people weak enough to believe, that what was thus done in jest, was a real marriage.

But, notwithstanding this censure on it, the practice was not abolished; for it is alluded to in a song in a play written by Sir William D'Avenant, called The Rivals :

“ I'll crown thee with a garland of straw then,

And I'll marry thee with a rush ring.which song, by the way, was first sung by Miss Davis; she acted the part of Celania in the play; and King Charles II, upon hearing it, was so pleased with her voice and action, that he took her from the stage, and made her his mistress.

Again, in the song called The Winchester Wedding, in D'Urfey's Pills to purge Melancholy, Vol. I, p. 276:

i Pert Strephon was kind to Betty,

" And blithe as a bird in the spring; “ And Tommy was so to Katy,

“ And wedded her with a rush ring." Sir F. Hawkins. Tib and Tom, in plain English, I believe, stand for wanton and rogue. So, in Churchyard's Choise :

“ Tushe, that 's a tove; let Tomkin talke of Tibb.Again, in the Queenes Majesties Entertainment in Suff ;lk and Nor. folk, &c. by Tho. Churchyard, 41o. no date:


“ And doth not Fove and Mars bear sway? Tush, that is



“ Then put in Tom and Tibbe, and all beares sway as much

as you.” Steevens. An anonymous writer, (Mr. Ritson) with some probability, supposes that this is one of those covert allusions in which Shak. speare frequently indulges himself. The following lines of Cleiveland on an Hermaphrodite seem to countenance the suppoa sition:

“ Nay, those which modesty can mean,
“But dare not speak, are Epicene.
“ That gámester needs must overcome,

“ That can play both with Tib and Tom." Sir John Hawkins would read~" as Tom's rush for Tib's fore. finger.” But if this were the author's meaning, it would be ne.



ling knave, as the nun's lip to the friar's mouth; nay, as the pudding to his skin.

Count. Have you, I say, an answer of such fitness for all questions?

Cio. From below your duke, to beneath your constable, it will fit any question.

Count. It must be an answer of most monstrous size, that must fit all demands.

Clo. But a trifle neither, in good faith, if the learned should speak truth of it: here it is, and all that belongs to't: Ask me, if I am a courtier; it shall do you no harm to learn.

Count. To be young again,3 if we could: I will be a fool in question, hoping to be the wiser by your answer. I pray you, sir, are you a courtier?

Clo. O Lord, sir, 4 -There's a simple putting off;more, more, a hundred of them.

cessary to alter still farther, and to read As Tom's rush for Tib's fourth finger. Malone.

At the game of Gleek, the ace was called Tib, and the knave Tom; and this is the proper explanation of the lines cited from Cleiveland. The practice of marrying with a rush ring, mentioned by Sir John Hawkins, is very questionable, and it might be difficult to find any authority in support of this opinion.

Douce. Sir John Hawkins's alteration is unnecessary:

It was the practice, in former times, for the woman to give the man a ring, as well as for the man to give her one. So, in the last scene of Twelfth Night, the priest, giving an account of Olivia's mar. riage, says, it was

“ Attested by the holy close of lips,
“Strengthend by enterchangement of your rings."

M. Mason I believe what some of us have asserted respecting the exchange of rings in the marriage ceremony, is only true of the marriage contract, in which such a practice undoubtedly pre. vailed. Steevens.

3 To be young again,] The lady censures her own levity in tri. Aling with her jester, as a ridiculous attempt to return back to youth. Fohnson.

4 O Lord, sir,] A ridicule on that foolish expletive of speech then in vogue al court. Warburton. Thus Clove and Orange, in Every Man out of his Humour :

“ You conceive me, sir? -O Lord, sir !" Cleiveland, in one of his songs, makes his Gentleman “ Answer, O Lord, sir! and talk play-book oaths."


« AnteriorContinuar »