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The Forest. Enter RosALIND and CELIA. Ros. How say you now? Is it not past two o'clock? and here much Orlando!!
Cel.“I warrant you, with pure love, and troubled brain, he hath ta’en his bow and arrows, and #
forth to sleep: Look, who comes here.
Enter SILVIUS. Sil. My errand is to you, fair youth; My gentle Phebe bid mel give you this: [Giving a letter.
- Unless your great infernal majesty
“Hereafter still to wear the goodly horn." To take scorn is a phrase that occurs again in King Henry VI, P. I, Act IV, sc. iv:
“And take foul scorn, to fawn on him by sending." Steevens. 8 The foregoing noisy scene was introduced only to fill up an interval, which is to represent two hours. This contraction of the time we might impute to poor Rosalind's impatience, but that a few minutes after we find Orlando sending his excuse. I do not see that by any probable division of the Acts this absurdity can be obviated. Johnson.
and here much Orlando!] Thus the old copy. Some of the modern editors read, but without the least authority:
I wonder much, Orlando is not here. Steevens. Th word much should be explained. It is an expression of latitude, and taken in various senses. Here's much Orlandoi. e. Here is no Orlando, or we may look for him. We have still this use of it, as when we say, speaking of a person who we suspect will not keep his appointment, “ Ay, you will be sure to see him there much.” Whalley.
So the vulgar yet say, “I shall get much by that no doubt,” meaning that they shall get nothing. Malone.
Here much Orlando! is spoken ironically on Rosalind perceiving that Orlando had failed in his engagement. H. White.
Much, in our author's time, was an expression denoting admiration. So, in King Henry IV, P. II, Act II, sc. iv:
“What, with two points on your shoulder? much .!” Again, in The Taming of a Shrew:
“'Tis much!-Servant, leave me and her alone.” Malone. Much! was more frequently used to indicate disdain. See notes on the first of the two passages quoted by Mr. Malone.
Steevens. bid me -] The old copy redundantly reads-did bid me.
Steerens. Marhul as a gnota tuen ir mis. corr. fol. 1632 writh the "es delea
I know not the contents; but, as I
Ros. Patience herself would startle at this letter,
Sil. No, I protest: I know not the contents;
Come, come, you are a fool,
Sil. Sure, it is hers.
Ros. Why, 'tis a boisterous and a cruel style, A style for challengers; why, she defies me, Like Turk to Christian; woman's gentle brain Could not drop forth such giant-rude invention,
2 Patience herself would startle at this letter,
Steevens. 3 Phebe did write it.
Ros. Come, come, you are a fool.
A freestone-colour'd hand;] As this passage now stands, the metre of the first line is imperfect, and the sense of the whole; for why should Rosalind dwell so much upon Phebe's hands, unless Silvius had said something about them!--I have no doubt but the line originally ran thus:
Phebe did write it with her own fair hand.
- woman's gentle brain --] Old copy--women's. Corrected by Mr. Rowe. Malone.
Such Ethiop words, blacker in their effect
Sil. So please you, for I never heard it yet;
Art thou god to shepherd turn’d, [Reads.
That a maiden's heart hath burn'd?-
Sil. Call you this railing?
Warr'st thou with a woman's heart?
Whiles the eye of man did woo me,
That could do no vengeances to me.--
If the scorn of your bright eyne
chid me, I did love;
And then I'll study how to die.
vengeance - ] is used for mischief. Johnson.
Johnson. So, in Antony and Cleopatra : “ You must think this, look you, that the worm will do his hind.” Steevens.
all that I can make ;] i. e. raise as profit from any thing. So, in Measure for Measure: " He's in for a commodity of brown paper; of which he made five marks ready money.” Steevens.
Wilt thou love such a woman? - What, to make thee an instrument, and play false strains upon thee! not to be endured!-Well, go your way to her, (for I see, love hath made thee a tame snakes) and say this to her; That if she love me, I charge her to love thee: if she will not, I will never have her, unless thou entreat for her. If you be a true lover, hence, and not a word; for here comes more company.
[Exit SIL Enter (LIVER. Oli. Good-morrow, fair ones: Pray you, if you know Where, in the purlieus' of this forest stands A sheep-cote, fenc'd about with olive-trees?
Cel. West of this place, down in the neighbour bottom,
Oli. If that an eye may profit by a tongue,
- and you,
I see, love hath made thee a tame snake)] This term was, in our author's time, frequently used to express a poor contemptible fellow. So, in Sir Fohn Oldcastle, 1600: “ poor snakes, come seldom to a booty.” Again, in Lord Cromwell, 1602;
the poorest snake,
-purlieus of this forest,] Purlieu, says Manwood's Treatise on the Forest Laws, c. xx, “ Is a certaine territorie of ground adjoyning unto the forest, meared and bounded with unmoveable marks, meeres, and boundaries: which territories of ground was also forest, and afterwards disaforested againe by the perambulations made for the severing of the new forest from the old.”
Reed. Bullokar, in his Expositor, 1616, describes a purlieu as “ a place neere joining to a forest, where it is lawful for the owner of the ground to hunt, if he can dispend fortie shillings by the yeere, freeland.” Malone.
1 Left on your right hand,} i. e. passing by the rank of oziers, and leaving them on your right hand, you will reach the place.
Malone. bestows himself Like a ripe sister:] Of this quaint phraseology there is an
Are not you
And browner them her brother.
Cel. It is no boast, being ask'd, to say, we are.
Oli. Orlando doth commend him to you both;
Ros. I am: What must we understand by this?
Oli. Some of my shame; if you will know of me
I pray you, tell it.
example in King Henry IV, P. II: “How might we see Falstaff bestow himself to-night in his true colours ?” Steevens.
- but the woman low,] But, which is not in the old copy, was added by the editor of the second folio, to supply the metre. I suspect it is not the word omitted, but have nothing better to propose. Malone.
napkin;] i. e. handkerchief. Ray says, that a pocket handkerchief is so called about Sheffield, in Yorkshire. So, in Greene's Never too Late, 1616: “ I can wet one of my new lockram napkins with weeping."
Napery, indeed, signifies linen in general. So, in Decker's Honest Whore, 1635:
pr’ythee put me into wholesome napery." Again, in Chapman's May-Day, 1611: “Besides your munition of manchet napery plates.” Naperia, Ital. Steevens.
5 Within an hour ;] We must read--within two hours. Johnson. May not within an hour signify within a certain time? Tyrwhitt.
of sweet and bitter fancy,] i. e. love, which is always thus described by our old poets, as composed of contraries. note on Romeo and Fuliet, Act I, sc. ii.
So, in Lodge's Rosalynde, 1590: “I have noted the variable disposition of fancy, -a bitter pleasure wrapt in sweet prejudice." Malone.
7 Under an oak, &c.] The ancient copy reads-Under an old oak; but as this epithet hurts the measure, without improvement of the sense, (for we are told in the same line that its “boughs were moss'd with age,” and afterwards, that its top was "bald