The Cambridge Introduction to Walt WhitmanCambridge University Press, 8 de mar. de 2007 Walt Whitman is one of the most innovative and influential American poets of the nineteenth century. Focusing on his masterpiece Leaves of Grass, this book provides a foundation for the study of Whitman as an experimental poet, a radical democrat, and a historical personality in the era of the American Civil War, the growth of the great cities, and the westward expansion of the United States. Always a controversial and important figure, Whitman continues to attract the admiration of poets, artists, critics, political activists, and readers around the world. Those studying his work for the first time will find this an invaluable book. Alongside close readings of the major texts, chapters on Whitman's biography, the history and culture of his time, and the critical reception of his work provide a comprehensive understanding of Whitman and of how he has become such a central figure in the American literary canon. |
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... Whitman's early life , the elder Whitman often shuffled the family from ... Whitman's father was an avid reader who passed on to his son the most radical ... education as a boy from a working - class family . He attended school only ...
... Whitman's early life , the elder Whitman often shuffled the family from ... Whitman's father was an avid reader who passed on to his son the most radical ... education as a boy from a working - class family . He attended school only ...
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... Whitman's literary apprenticeship. Beginning in 1841 with a job at the New ... literature, edu- cation, and entertainment while continuing to contribute to ... Whitman's life in Youth and literary apprenticeship 3.
... Whitman's literary apprenticeship. Beginning in 1841 with a job at the New ... literature, edu- cation, and entertainment while continuing to contribute to ... Whitman's life in Youth and literary apprenticeship 3.
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Termos e frases comuns
American appears beauty become biographer body Brooklyn Daily Eagle Calamus catalogue celebration Chapter Civil cluster comrades continued cosmic drama Cradle Endlessly Rocking criticism Crossing Brooklyn Ferry culture death democracy Democratic Vistas Drum-Taps early earth Ebb'd edition of Leaves Edward Carpenter elegiac elegy Emerson emotions essay example expanded experience face famous figure free verse gender genre historical homosexual hospitals human images imagistic included influence insists journalist kind language later Leaves of Grass Lincoln lines literary lover manifest destiny metaphor mode moral movement mystical narrative nature occasional poems ocean Passage to India person poem's poems poet poet's poetic poetry political postwar Preface prose published reader realized Romantic says scene Section seems sense sexual sing slave slavery Sleepers social purity movement soldiers Song soul Specimen Days spirit style suggests themes tone Transcendentalist vision voice Walt Whitman Whitman studies woman words writing wrote York young
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Página 33 - Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. I am glad to the brink of fear.
Página 86 - The profit of rhyme is that it drops seeds of a sweeter and more luxuriant rhyme; and of uniformity, that it conveys itself into its own roots in the ground out of sight. The rhyme and uniformity of perfect poems show the free growth of metrical laws, and bud from them as unerringly and loosely as lilacs or roses on a bush, and take shapes as compact as the shapes of chestnuts and oranges and melons and pears, and shed the perfume impalpable to form.
Página 32 - I mind how once we lay such a transparent summer morning, How you settled your head athwart my hips and gently turn'd over upon me, And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart, And reach'd till you felt my beard, and reach'd till you held my feet.
Página 5 - The voice said, Cry. And he said, What shall I cry? All flesh is grass, And all the goodliness thereof is as the flower of the field : The grass withereth, the flower fadeth: . Because the spirit of the Lord bloweth upon it: Surely the people is grass. The grass withereth, the flower fadeth: But the word of our God shall stand for ever.
Página 86 - Other states indicate themselves in their deputies . . . but the genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges or churches or parlors, nor even in its newspapers or inventors . . . but always most in the common people.
Página 29 - I am the poet of the Body and I am the poet of the Soul, The pleasures of heaven are with me and the pains of hell are with me, The first I graft and increase upon myself, the latter I translate into a new tongue.
Página 49 - Just as you feel when you look on the river and sky, so I felt, Just as any of you is one of a living crowd, I was one of a crowd...
Página 37 - I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God...
Página 29 - Welcome is every organ and attribute of me, and of any man hearty and clean, Not an inch nor a particle of an inch is vile, and none shall be less familiar than the rest.