Re-dressing the Canon: Essays on Theater and GenderRe-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity. |
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Seite 1
"The two concepts are, in the very nature of things, sharply differentiated."1 In
other words, Aristophanes begins his play that parodies genre and gender with a
lesson in the basic principle of dramatic irony: in the theater, what you see isn't ...
"The two concepts are, in the very nature of things, sharply differentiated."1 In
other words, Aristophanes begins his play that parodies genre and gender with a
lesson in the basic principle of dramatic irony: in the theater, what you see isn't ...
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RE-DRESSING THE CANON: Essays on Theatre and Gender
Nutzerbericht - KirkusTheater critic, dramaturge, and Village Voice staff writer Solomon (English and Theater/City Univ. of New York Graduate Center) offers a fresh, authoritative view of the canon as the seat, not the ... Vollständige Rezension lesen
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Häufige Begriffe und Wortgruppen
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Beliebte Passagen
Seite 3 - In the first instance, performativity must be understood not as a singular or deliberate "act," but, rather, as the reiterative and citational practice by which discourse produces the effects that it names.
Verweise auf dieses Buch
Collecting and Interpreting Qualitative Materials Norman K. Denzin,Yvonna S. Lincoln Eingeschränkte Leseprobe - 2008 |