Re-dressing the Canon: Essays on Theater and GenderRe-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity. |
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Seite 3
theater can question the very means of its production, call attention to its own
processes and limits, and, as a result, raise questions about the images and
ideologies it may give stage and voice to. It can self-reflex- ively consider its own
...
theater can question the very means of its production, call attention to its own
processes and limits, and, as a result, raise questions about the images and
ideologies it may give stage and voice to. It can self-reflex- ively consider its own
...
Seite 20
It's another to feel authorized to assume the strength and self-sovereignty
masculinity claims. ... women's self-defense community painfully suggests that
knowing that gender is theater-like has little bearing on one's ability to flout its
rigid rules.
It's another to feel authorized to assume the strength and self-sovereignty
masculinity claims. ... women's self-defense community painfully suggests that
knowing that gender is theater-like has little bearing on one's ability to flout its
rigid rules.
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Was andere dazu sagen - Rezension schreiben
RE-DRESSING THE CANON: Essays on Theatre and Gender
Nutzerbericht - KirkusTheater critic, dramaturge, and Village Voice staff writer Solomon (English and Theater/City Univ. of New York Graduate Center) offers a fresh, authoritative view of the canon as the seat, not the ... Vollständige Rezension lesen
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actor American asks audience become body Brecht butch calls canon character claim contemporary conventions course critics culture demands describes directions drama dress early effect epic especially essay example experience fact female femininity feminist final gender girl hair Hamlet hand Hedda House human Ibsen idea identity imagine instance it's Jewish Jews King Lear least lesbian London look Ludlam male matter means mother nature never Nora notes offers once performance Person play play's political practice presented production queer question quoted reading realism remains representation represents reveals role Sarah Bernhardt scene seems sense sexual Shakespeare Shaw Shen Teh Shui social song spectator stage story style suggests telling theater theatrical thing tion traditional turn University University Press Western woman women writes Yiddish York
Beliebte Passagen
Seite 3 - In the first instance, performativity must be understood not as a singular or deliberate "act," but, rather, as the reiterative and citational practice by which discourse produces the effects that it names.
Verweise auf dieses Buch
Collecting and Interpreting Qualitative Materials Norman K. Denzin,Yvonna S. Lincoln Eingeschränkte Leseprobe - 2008 |