Re-dressing the Canon: Essays on Theater and GenderRe-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity. |
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Seite 14
... of gender and spectacle, the gaze to begin with, then, is the one Mikel
Dufrenne refers to in The Phenomenology of Aesthetic Experience, when he
describes the special perceptual attitude that turns the "work of art" into the "
aesthetic object.
... of gender and spectacle, the gaze to begin with, then, is the one Mikel
Dufrenne refers to in The Phenomenology of Aesthetic Experience, when he
describes the special perceptual attitude that turns the "work of art" into the "
aesthetic object.
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RE-DRESSING THE CANON: Essays on Theatre and Gender
Nutzerbericht - KirkusTheater critic, dramaturge, and Village Voice staff writer Solomon (English and Theater/City Univ. of New York Graduate Center) offers a fresh, authoritative view of the canon as the seat, not the ... Vollständige Rezension lesen
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Häufige Begriffe und Wortgruppen
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Beliebte Passagen
Seite 3 - In the first instance, performativity must be understood not as a singular or deliberate "act," but, rather, as the reiterative and citational practice by which discourse produces the effects that it names.
Verweise auf dieses Buch
Collecting and Interpreting Qualitative Materials Norman K. Denzin,Yvonna S. Lincoln Eingeschränkte Leseprobe - 2008 |