Re-dressing the Canon: Essays on Theater and GenderRe-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity. |
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1 Cheek by Jowl's As You Like It, 1 994 22 2 Cheek by Jowl's As You Like It,
1994 38 3 Elizabeth Robins as Hedda Gabler, London, 1891 52 4 Portrait of
Sarah Bernhardt as a young woman 102 5 Jacob Adler as the Yiddish King Lear,
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1 Cheek by Jowl's As You Like It, 1 994 22 2 Cheek by Jowl's As You Like It,
1994 38 3 Elizabeth Robins as Hedda Gabler, London, 1891 52 4 Portrait of
Sarah Bernhardt as a young woman 102 5 Jacob Adler as the Yiddish King Lear,
New ...
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24 Unsigned obituary of Sarah Bernhardt, "The Idol- Woman and the Other," The
Times (London), 28 March 1923, quoted in Pellegrini, Performance Anxieties, p.
41. 25 Pellegrini notes that Victorien Sardou's first play for Bernhardt, Fedora ( 1 ...
24 Unsigned obituary of Sarah Bernhardt, "The Idol- Woman and the Other," The
Times (London), 28 March 1923, quoted in Pellegrini, Performance Anxieties, p.
41. 25 Pellegrini notes that Victorien Sardou's first play for Bernhardt, Fedora ( 1 ...
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RE-DRESSING THE CANON: Essays on Theatre and Gender
Nutzerbericht - KirkusTheater critic, dramaturge, and Village Voice staff writer Solomon (English and Theater/City Univ. of New York Graduate Center) offers a fresh, authoritative view of the canon as the seat, not the ... Vollständige Rezension lesen
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Häufige Begriffe und Wortgruppen
acting action actor American asks audience become body Brecht butch calls canon character claim contemporary conventions course critics culture demands describes directions drama dress early effect epic especially essay example experience fact female femininity feminist final gender girl hair Hamlet hand Hedda House human Ibsen idea identity imagine instance it's Jewish Jews King Lear least lesbian London look Ludlam male matter means mother nature never Nora notes offers once performance Person play play's political practice presented production queer question quoted reading realism remains representation represents reveals role Sarah Bernhardt scene seems sense sexual Shakespeare Shaw Shen Teh Shui social song spectator stage story style suggests telling theater theatrical thing tion traditional turn University University Press Western woman women writes Yiddish York
Beliebte Passagen
Seite 3 - In the first instance, performativity must be understood not as a singular or deliberate "act," but, rather, as the reiterative and citational practice by which discourse produces the effects that it names.
Verweise auf dieses Buch
Collecting and Interpreting Qualitative Materials Norman K. Denzin,Yvonna S. Lincoln Eingeschränkte Leseprobe - 2008 |
Bibliografische Informationen
| Titel | Re-dressing the Canon: Essays on Theater and Gender To Philosophy |
| Autor/in | Alisa Solomon |
| Ausgabe | illustriert |
| Verlag | Taylor & Francis, 1997 |
| ISBN | 0415157218, 9780415157216 |
| Länge | 208 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |